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Subjects-Engineering-Electrical&Electronics-Circuits-General? Subjects-Engineering-PowerSystems? Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits-General? Subjects-Professional&Technical-Engineering-PowerSystems? Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Characterization, Treatment, and Use of Sewage Sludge Proceedings of the Second European Symposium, Held in Vienna, October 21-23, 1980 D Reidel Pub Co? Lhermite? DReidelPubCo? Lhermite? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Defects in Optoelectronic Materials (Optoelectronic Properties of Semiconductors and Superlattices, 11) G & B Pub? Kazumi Wada? Stella W. Pang? G&BPub? KazumiWada? StellaW.Pang? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? 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Character Trademarks Chronicle Books John Mendenhall? ChronicleBooks? JohnMendenhall? ジャンル別? Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Reference-Genealogy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Great Inventions, Good Intentions An Illustrated History of Design Patents 1930-1945 Chronicle Books Eric Baker? Jane C. Martin? ChronicleBooks? EricBaker? JaneC.Martin? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-Patents&Inventions? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology Utilization Ideas for the 70s Beyond Proceedings of the Governor Rockefeller Symposium, Winrock, Arkansas, October 1970 (Science Technology Ser) Univelt? Fred W. Forbes? Paul Dergarabedian? Univelt? FredW.Forbes? PaulDergarabedian? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General Subjects-Science-Technology-General&Reference 200 Years of Flight in America (Aas History Series) Amer Astronautical Society? Em Emme? AmerAstronauticalSociety? EmEmme? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Twenty Five Years of the American Astronautical Society, Historical Reflections and Projections 1954 1979 Univelt? Eugene Morlock Emme? Univelt? EugeneMorlockEmme? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-Technology-General&Reference Between Sputnik and the Shuttle New Perspectives on American Astronautics Amer Astronautical Society? Frederick C. Durant? John H. Disher? Goddard Memorial Symposium? 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AmerAstronauticalSociety? KristanR.Lattu? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference History of Rocketry and Astronautics (Aas History Series) Amer Astronautical Society? Frederick I., III Ordway? AmerAstronauticalSociety? FrederickI.,IIIOrdway? ジャンル別? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference History of Rocketry and Astronautics (Aas History Series) Amer Astronautical Society? Frederick I., III Ordway? AmerAstronauticalSociety? FrederickI.,IIIOrdway? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference History of Rocketry and Astronautics Proceedings (Aas History Series) Amer Astronautical Society? A. Ingemar Skoog? AmerAstronauticalSociety? A.IngemarSkoog? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference History of Rocketry and Astronautics (Aas History Series) Amer Astronautical Society? John L. Sloop? AmerAstronauticalSociety? JohnL.Sloop? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference History of Liquid Rocket Engine Development in the United States 1955-1980 Liquid Rocket Propulsion History Colloquium, Aas Annual Meeting, Los Angeles, 1989 Proceedings of an Aas History Colloquium (Aas History Series) Univelt? Calif Liquid Rocket Propulsion History Colloquium 1989 Los Angeles? American Astronautical Society? Stephen E. Doyle? Univelt? CalifLiquidRocketPropulsionHistoryColloquium1989LosAngeles? 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Subjects-Science-Technology-General&Reference Organizing for the Use of Space Historical Perspectives on a Persistent Issue (Aas History Series) Amer Astronautical Society? Roger D. Launius? AmerAstronauticalSociety? RogerD.Launius? ジャンル別? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference History of Rocketry and Astronautics (Aas History Series) Amer Astronautical Society? J. D. Hunley? AmerAstronauticalSociety? J.D.Hunley? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? History of Rocketry and Astronautics (Aas History Series) Amer Astronautical Society? J. D. Hunley? AmerAstronauticalSociety? J.D.Hunley? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference History of Rocketry and Astronautics (Aas History Series) Amer Astronautical Society? J. D. 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Subjects-Science-Astronomy-Mars? Space Safety and Rescue 1995 (Science and Technology Series) Amer Astronautical Society? Gloria W. Heath? AmerAstronauticalSociety? GloriaW.Heath? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Safety and Rescue 1995 (Science and Technology Series) Amer Astronautical Society? Gloria W. Heath? AmerAstronauticalSociety? GloriaW.Heath? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference Spaceflight Mechanics 1999 Advances in the Astronautical Sciences Amer Astronautical Society? Madeleine Bera? Robert H. Bishop? Robert D. Culp? Donald L. Mackison? Maria Evans? AmerAstronauticalSociety? MadeleineBera? RobertH.Bishop? RobertD.Culp? DonaldL.Mackison? MariaEvans? ジャンル別? Substores-UnknownASINs-27? Subjects-Science-General Subjects-Science-Technology-General&Reference Guidance and Control 2000 (Advances in the Astronautical Sciences) Amer Astronautical Society? Madeleine Bera? Robert D. Culp? Jay W. Middour? Eileen M. Dukes? AmerAstronauticalSociety? MadeleineBera? RobertD.Culp? JayW.Middour? EileenM.Dukes? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference The Richard H. Battin Astrodynamics Symposium, Mar 20-21, 2000 College Station, Texas (Advances in the Astronautical Sciences) Amer Astronautical Society? Madeleine Bera? John L. Junkins? Jay W. Middour? K. Terry Alfriend? Kathleen Collins Howell? AmerAstronauticalSociety? MadeleineBera? JohnL.Junkins? JayW.Middour? K.TerryAlfriend? KathleenCollinsHowell? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? 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LEN ... Lenker, Ursula. 2018. "‘There s an issue there …’ Signalling functions of discourse-deictic there in the history of English". Language Sciences 68 94-105. Lenker, Ursula. 2014. “Knitting and Splitting Information Medial Placement of Linking Adverbials in the History of English”, in Contact, Variation and Change in the History of English, ed. Pfenninger, Simone E., Timofeeva, Olga, Gardner, Anne-Christine, Honkapohja, Alpo, Hundt, Marianne, and Schreier, Daniel, pp. 11-38. Amsterdam John Benjamins. Lenker, Ursula. 2011. “A Focus on Adverbial Connectors Connecting, Partitioning and Focusing Attention in the History of English”, in Connectives in Synchrony and Diachrony in European Languages, ed. Anneli Meurman-Solin Ursula Lenker. Helsinki VARIENG. Lenker, Ursula. 2010. Argument and Rhetoric Adverbial Connectors in the History of English. Berlin De Gruyter Mouton. Lenker, Ursula. 2008. "Booster Prefixes in Old English -- an Alternative View of the Roots of ME forsooth." English Language and Linguistics 12.2 221-243. Lenker, Ursula. 2007. "Sothlice, forsoothe, truly Commmunicative Principles and Invited Inferences in the History of Truth-intensifying Adverbs in English", in Methods in Historical Pragmatics, ed. Susan Fitzmaurice and Irma Taavitsainen, pp. 81-105. Berlin Mouton de Gruyter. Lenker, Ursula.2000. "Sothlice and witodlice Discourse Markers in Old English", in Pathways of Change Grammaticalization in English, ed. O. Fischer, et al., pp. 229-49. John Benjamins. Lenker, Ursula.1999. "Gerles, girls, grrrlz--girl power! Cultural phenomena and the semantic changes of girl", in Words, Lexemes, Concepts Approaches to the Lexicon, Studies in Honour of Leonhard Lipka, ed. Wolfgang Falkner Hans-Joerg Schmid, pp. 7-21. Tuebingen Narr. Lennard, J. 1991. But I Digress the Exploitation of Parentheses in English Printed Verse. Oxford Clarendon Press
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【Tags Hitoshizuku-P Len Rin tC tD Y】 Original Music title 夢桜 English music title Dreamy Cherry Blossoms / Dream Cherry Tree Romaji music title Yume Zakura / Yume-zakura Music Lyrics written, Voice edited by ひとしずくP (Hitoshizuku-P) Music arranged by ひとしずくP (Hitoshizuku-P) Singers 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： When I heard trembling sounds of strings in the night full of cherry blossoms I fell for him at the moment I saw him His mere existence has colored all in me since his violin sounds surrounded me Happiness that I had imagined lost its color and was destroyed I believe my life in this way will be happy all the time But I know I have to get mature sometime I m afraid of becoming an adult I might lose my indirect grace Would I be forgiven to abandon everything to love you for the rest of my life? I ll definitely dream a different dream tomorrow A dream of a colorless world without you Many people died on the edge of devastation at that time Everything has gotten back to life as usual but I still feel pain in my heart I ve talked a lot since I met you You reminded me that the world is still hopeful If we are doomed to hurt each other in the fabricated world Bottling up my emotions, I ll let you go Unforgivable but ardent feelings towards you I m not forgiven to abandon everything to love you for the rest of my life I ll definitely be playing the violin here tomorrow In a dream of the endless world Dreamy cherry blossoms, please don t die... My empty love story lasted only for 16 nights Even though I have to give up on this love real soon Just for now...just for now...let me love my dearest If only I could love you for the rest of my life... I have to end off my unforgivable love story To kill all feelings towards you... Please let me dream a dream of a endless world that never ends Romaji lyrics (transliterated by motokokusanagi2009)： ito ga furueru oto yozakura no muse kaeru naka de tatta isshun de hajimatta koi no monogatari subete irodo rare teku anata no oto ni tsutsumarete kara omoi egaiteta shiawase wa iro asete kuzure satte itta itsu made mo tsuzuku to shinjite itemo kodomo no mama de iru koto wa deki nai... otona ni natte yuku koto ga tada kowakute... bukiyō na yasashisa sae... mi ushinai sō anata dake omotte ikite iku tame ni nani mo kamo suteru koto wa yuru sareru no...? ashita wa kitto chigau yume o miru no deshō anata no inai iro aseta sekai no yume katsute zetsubō no soko ni ikuta no inochi ga kiete itta hikari me buita ima mo nokoru kizu wa mada ie nai kimi to de atte kara takusan no kotoba o narabeta yo kibō ni michita sekai o mō ichido omoi dasasete kureta nda... itsuwari darake no tsuku rareta sekai de kizu tuke atte yuku sadame dato iu nara tsunaida te o sotto hanashi owa raseru yo muku wareru koto no nai setsunaru omoi... anata dake omotte ikite iku tame ni nani mo kamo suteru koto wa yuru sare nai... ashita mo kitto mata onaji kono basho de kanadete iru yo... oawara nai sekai no yume yume zakura dōka chira nai de ite... izayoi no hakanai koi monogatari wa setsuna no yume no naka kiete yuku keredo ima dake wa...ima dake wa... omotte itai... anata dake omotte ikite yuki tai kanau koto no nai koi no monogatari o ima koko de subete o owa raseru tame ni... yume mite itai owara nai sekai no yume [Hitoshizuku-P, HitoshizukuP]
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Market Synopsis Market Research Future (MRFR) conducted study on the Identity as a Service Market Segments 2020 and detailed insights into the effect of COVID pandemic on the market in the report. According to MRFR analysis, the identity as a service (IDaaS) market can rise at 18.4% CAGR across the forecast period. By 2027, the identity as a service (IDaaS) market value can cross USD 10 Bn. The growing deployment of IDaaS on largely accepted cloud platform can boost the expansion of the IDaaS market across the review period. The increase in the adoption of SaaS-based IAM offerings that allow organizations to use single sign-on (SSO) via OpenID Connect (OIDC) or Security Assertion Markup Language (SAML) for the authentication and access controls to provide secured access to enterprises SaaS applications can promote the expansion of the world market of IDaaS. The growing need to curb on-site infrastructure that can support a wide range of integration options can boost the expansion of the IDaaS market. The rise in the level of interconnectivity as IoT and BYOD culture are trending across different verticals can bolster the expansion of the IDaaS market. Rise in IDaaS vendors can also benefit the global market. The high utility of DevSecOps practices for the identification and access management in organizations can fuel the expansion of the market growth. The growing concerns of companies regarding data security limit is pressing the need for IDaaS solutions that can promote the expansion of the global identity as a service (IDaaS) market in the years to come. The rise in preference for on-premise access management systems can pose threat to the IDaaS market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7928 Market Segmentation The segments study of the global IDaaS market is based on deployment, service, organization size, and vertical. The service-based, the global IDaaS market segments are access, identity governance administration, and intelligence. The organization size based, the global IDaaS market segments are large enterprise and small- and medium-sized enterprise (SME). The deployment based, the global IDaaS market segments are public cloud, private cloud, and hybrid. The vertical based, the global IDaaS market segments are BFSI, retail and CPG, manufacturing, energy and utilities, transportation, healthcare and life sciences, and government and defense among others. Regional Analysis North America IDaaS market is expected to secure the highest global market size in the forecast period. Led by the US, the market in North America can rise exponentially due to the early adoption of DevSecOps that aids in the identification and allows access to management and strict government directives associated with data protection. The increase in cyber threats and high growing demand for potential and powerful authentication solutions on cloud can drive the IDaaS market in North America. In Asia Pacific, the IDaaS market can expand rapidly in evaluation period. The growing BYOD trend and increase in IoT applications across verticals and increase in the awareness among enterprises regarding security issues can promote the IDaaS market in the Asia Pacific region. APAC is observed to hold high growth prospects, thus the expansion of the IDaaS market in the Asia Pacific region is expected to rise substantially. Key Players MRFR identified some notable players of the global IDaaS market. They are; Okta, Inc. (US), Avatier (US), OneLogin, Inc (US), Fischer Identity (US), Microsoft Corporation, (US), Oracle Corporation (US), Centrify Corporation (US), Ping Identity (US), iWelcome (Netherlands), empowerID (US),VMWare (US), LoginRadius (Canada), IDaptive, LLC. (US), Ubisecure, Inc. (Finland), Sailpoint (US), Optimal IdM(US), Bitium, Inc. (US), and others. These players are recognized by origin, regional presence, recent key innovations, industry expertise, and product diversification. Access Report Details @ https //www.marketresearchfuture.com/reports/identity-service-market-7928 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Markets Structure 3 Market Research Methodology 3.1 Research Process 3.2 Secondary Research 3.3 Primary Research 3.4 Forecast Model Continued… Similar Report B2B Telecommunication Market Forensic Accounting Market Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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Un salon bourgeois. Porte au fond. De chaque côté, une porte avec un œil de bœuf. Fenêtre à droite. Un paravent. Scène 1ère Coraline (Elle arrive en courant et va à la fenêtre.) Non! Je m’étais trompée! (Elle revient d’un air désappointé.) J’avais cru entendre la musique du régiment. Rien… la rue est solitaire!… pas un chat!… il n’y a que des bourgeois qui vont et viennent avec une impatience que je partage… Comme c’est triste une rue sans uniformes!… Enfin, c’est donc aujourd’hui que le Royal Berry doit entrer en ville. Quel beau régiment!… Et puis, c’est avec lui que revient Rigobert! mon petit Rigobert! le plus gentil fifre qui ait jamais fifré dans toutes les fifreris de France et de Navarre! Oh! Je me sens toute joyeuse rien que d’y penser! Chanson Ah! pour moi c’était une fête Qu’il était charmant! Quand il défilait à la tête De son régiment. Son gentil fifre à la parade Ainsi qu’aux combats Conduisait toute la brigade Et marquait le pas! Je crois encor l’entendre. Un amant aussi tendre N’aurait pas dû se rendre En d’autres garnisons Au diable le service! Faut-il que je choisisse Les plus jolis garçons! Après tout, j’aime autant qu’il arrive un peu plus tard. Mes maîtres sont encore là, et je n’aurais pas pu le recevoir, ce cher Rigobert. C’est si gênant les maîtres. Oh! mais il faudra bien qu’on me laisse l’épouser! D’abord madame ne pourra guère me refuser son consentement! Je la tiens!… Voilà quinze jours que Mr Popelinet le procureur en est devenu amoureux pour l’avoir vue à sa fenêtre! Il m’a remis au moins une douzaine de billets doux pour elle!… Oh! je dois le dire, madame les a tous déchirés… après les avoir lus, bien entendu!… Jusqu’à présent elle n’a répondu qu’une fois à cette correspondance, mais cela suffit pour la compromettre. De son côté ce bel amoureux n’a pas encore osé parler à madame, mais il y viendra et je serai encore plus indispensable. (On aperçoit au fond Popelinet.) Scène 2e Popelinet, Coraline. Popelinet Psstt!… Coraline Lui!… Je ne croyais pas si bien dire!… Comment, c’est vous, monsieur? Popelinet Puis-je entrer? Coraline C’est selon. Popelinet C’est juste, l’octroi. Je me risque et je veux enfin parler à ta belle maîtresse. Coraline Et vous croyez que je vous laisserai faire!… Popelinet Je le crois. Coraline Et vous croyez que je me tairai… Popelinet Tiens!… Voilà deux écus! Coraline Oh! les hommes! C’est il pervers. Popelinet Où est la chambre de ta maîtresse? Coraline Monsieur, vous m’avez donné six francs pour me taire, je n’ai rien à dire. Popelinet Eh bien tiens!… voilà encore six francs pour parler. Eh bien? Coraline C’est là!… Popelinet Merci!… J’y vole! Ô amour! Coraline Seulement, monsieur est avec madame. Popelinet Aïe!… Et tu ne me dis pas cela tout de suite. Coraline Partez! Qu’est-ce qu’on dirait si l’on me trouvait avec un procureur?… Popelinet Chut!… Veux-tu bien ne jamais prononcer ce motlà! Ta maîtresse doit toujours ignorer que l’auteur de ces petits-doux est un homme de loi. Cela jette du froid sur le sentiment et suffit à dépoétiser un homme!… J’ai signé mes lettres à ta maîtresse de mon prénom – Cyprien… le petit Cyprien… Et je lui ai écrit des vers où je la compare à Cypris! Cypris! Cyprien!! je ne suis, je ne dois être pour elle que le petit Cyprien… tu comprends… Au lieu de cela, le bel effet que produirait au bas d’un billet doux Popelinet, procureur!… avec paraphe! fi! cela aurait l’air d’un exploit!… Tandis que Cyprien… Coraline J’entends la voix de monsieur – partez vite… Popelinet Je disparais. Robin (au dedans) Non madame. Me Robin (id) Si monsieur!!… Scène 3e Coraline, Mr et Me Robin. M. Robin Oh! les femmes! les femmes! Mme Robin Oh! les hommes! les hommes! (Ils s’asseoient.) Coraline Monsieur a t-il besoin de moi? Robin Non! Sortez! Mme Robin Restez!… Allez chercher ma mante! mon éventail! Coraline On s’en va! tant mieux! Voilà, madame… avezvous besoin d’autre chose? Me Robin Non! Sortez! Robin Restez… Donnez-moi ma canne et mon chapeau. Me Robin Ainsi, c’est bien décidé – vous sortez. Robin Je vous l’ai dit, madame, mon ami d’enfance, Alcibiade de la Trombonnière est à la mort… il m’attend à sa campagne. Me Robin. A d’autres. Robin Coraline était là quand son domestique est venu (il donne de l’argent à Coraline – bas.) Dis comme moi! Coraline. Ah! pour ça! c’est vrai, madame! M. de la Trombonnière réclame monsieur. Me Robin. Allons donc! il se portait à merveille il y a 8 jours… je sais à quoi m’en tenir… Trio. Mme Robin Couplets. 1. Prend-on son habit de dimanche Pour aller soigner un voisin? Met-on une cravatte blanche Quand on n’est pas le médecin? C’est pour quelque intrigue amoureuse. Ah! que je suis donc malheureuse! 2. C’est donc pour un ami d’enfance Que vous vous êtes mis en frais. Vous sentez le musc et l’essence Vous vous êtes rasé de frais. C’est pour quelque intrigue amoureuse Grand Dieu! que je suis malheureuse. Ensemble. M et Mme Robin Ah! l’agréable ménage L’inventeur du mariage Fut quelque sot personnage Qui n’avait plus sa raison Vraiment la chose est bien claire C’est un enfer sur la terre Ah! si c’était à refaire Comme je répondrais non! Coraline Ah! le joli mariage Mon maître dans son ménage Joue un bien sot personnage C’est à perdre la raison Vraiment, la chose est bien claire C’est un enfer sur la terre Et si c’était à refaire Je crois qu’il répondrait non! Robin Mais vous êtes charmante. Me Robin Vous êtes bien bon, Dieu merci. Robin Quoi? Vous prenez votre mante. Mais vous sortez donc aussi? Me Robin A l’instant, oui, je m’absente Je dois faire comme vous. Une visite importante Adieu donc, mon cher époux Je dois sortir comme vous. Robin Partez, si vous le trouvez bon. Me Robin Merci de la permission. Coraline Quel couple aimable et sans façon. Tous Quel enfer que cette maison. Reprise de l’Ensemble. Ah! l’agréable ménage! Etc. Scène 4eme Coraline, Mme Robin. Coraline En voilà un de parti!… A madame à présent. Mme Robin Eh bien! Il part et il veut me faire croire qu’il va à la campagne! un vendredi et un treize! lui, l’homme le plus superstiticieux de la terre! plus souvent, et il ne t’a pas dit de l’attendre, de lui laisser la lumière, lui qui a peur de tout. Coraline Le fait est que ce n’est pas dans ses habitudes! D’ailleurs… si j’osais parler! Me Robin Tu sais quelque chose?… Coraline Tout à l’heure, monsieur m’a glissé deux écus pour me faire dire que j’avais vu le domestique de son pauvre ami, Mr de la Trombonnière. Me Robin J’en étais sûre! oh! je suis furieuse… je me vengerais, je ne suis pas embarrance pour cela… Je m’en vais de ce pas trouver quelqu’un qui me donnera un bon conseil. Coraline. Vous avez raison! (à part) Quel bonheur! Elle s’en va aussi! Me Robin. Si toutefois mon mari rentrait, tu lui diras que je veux plaider en séparation et que j’ai été consulter un procureur. Coraline Un procureur?… Et lequel?… Me Robin Il n’y en a qu’un dans la ville!… C’est maître Popelinet. Coraline Lui!… Mais madame! Me Robin Pas d’observations!… Ah! Mr Robin… Coraline. Si vous saviez… Me Robin Adieu. (Elle sort.) Scène 5e Coraline Eh! bien, le hasard est étrange!… Elle ne se doute pas qu’en allant chez le procureur, c’est chez un amoureux, chez le petit Cyprien qu’elle va! Quel quiproquo! (On entend une marche militaire.) Qu’entends-je? (Elle écoute.) Eh! mais oui… c’est bien cela!… C’est le régiment de Rigobert, le Royal Berri qui entre en ville! Rigobert se dirige de ce côté! les autres fifres le suivent. Eh bien! Est-ce qu’il va les amener? mon Dieu! Qu’est-ce que je vais faire de tout ce monde-là? Scène 6eme Coraline, Rigobert et dix fifres. Les fifres (se précipitant dans la salle.) Nous voilà! (ter) Nous voilà! (ter) Coraline D’où venez-vous, mon prétendu? Parle, dis-moi, d’où reviens-tu? Rigobert D’où je reviens? Coraline Oui, d’où tu viens? Rigobert 1. Nous revenons de Lille en Flandre Où nous fêtions Mars et Vénus Mars pour sa bière bonne à prendre Vénus pour compléter Bacchus! Ah! De mon fifre, de ma rapière L’effet brillant ne fut pas long! Là-bas, les buveuses de bière Vous disent qu’on soit noir ou blond. Turlututu… rrrlututu!… rrrlurutaine! Demandez à mon capitaine Turlututu!… rrrlututu!… rrrlututu!… Pour moi tous les cœurs ont battu! Chœur Turlututu, rlututu taines! Toujours de nouvelles fredaines Turlututu! rlutututu! Ah! quel succès nous avons eu! 2. Mais j’ai fait bonne résistance N’aimant que vous, ô ma beauté! Je suis un clou pour la constance Un chien pour la fidélité… Des preuves vous agréeraient-elles? J’en ai sur moi suffisamment… J’ai vos cheveux et vos bretelles… Est-ce là de l’attachement? Turlututu! rrrlututu! rrrlutututaine! Demandez à mon capitaine Turlututu! rrrlututu! rrrlututu!… Mon cœur pour vous seule a battu!! (Rigobert embrasse Coraline.) Reprise de l’ensemble. Tirlututu! Etc. etc. Coraline Modérez-vous… nous avons du temps à nous… madame est en visite. Rigobert Une femme qui cause… ça durera bien une petite heure. Les fifres Oh! oui! Coraline. Chez son procureur! La Rose. Un procureur! Ça en durera deux! Coraline Et elle lui dit du mal de son mari. La Tulipe Ça en durera trois! La Valeur Et c’est encore trop peu pour nous, ma toute belle! Rigobert Enfin! Voyons profitons de temps et puisque personne ne peut nous déranger… Qu’as-tu à nous offrir? Coraline Oh! mon Dieu rien!… La Rose. Pas de provisions? La Tulipe (ouvrant le buffet.) Le buffet est vide! La Valeur Voilà une maison mal tenue. L’Espérance. Et les clefs de la cave. Coraline C’est madame qui les a. Tous Oh! c’est indigne. La Tulipe Alors, puisqu’il n’y a rien à grignotter (Il embrasse la main de Coraline.) La Rose Puisqu’il n’y a rien à se mettre sous la dent… (Il embrasse l’autre main.) Tous. A la guerre comme à la guerre. Rigobert Eh! Eh! camarades! Pas de ça! La Rose On ne la mangera pas, la belle! Rigobert. Je l’espère bien. 1er fifre (La Rose.) Voyons! Donnez-nous un peu de nouvelles? La Tulipe. Est-ce que le vieil échevin a toujours cette petite servante blonde? Coraline Toujours. La Tulipe Tant mieux! On y retournera! La Rose Et madame la présidente a-t-elle conservé sa camériste? une grande brune? Coraline Sans doute. La Rose O merveille! Ah! comme elle faisait bien les crêpes. La Valeur Marinette la bouquetière est-elle encore au coin de la grande place? Coraline Non! Elle est partie pour Paris! La Valeur C’est dommage! L’Epsérance Louison est-elle restée au service du receveur des Jabelles? Coraline Non! Elle l’a épousé. L’Espérance Tant pis! La Rose Pour le receveur? Coraline Je ne sais pas. Rigobert Ah! ça! voyons, camarades, si vous causez toujours… La Tulipe Bah! Tu as bien le temps! La Valeur Et puis, ce que tu veux dire à Coraline, nous le lui dirons bien nous-mêmes. Elle est charmante! L’Espérance. Elle a le plus joli sourire. Jolicœur Le pied le plus mignon. Fanfan Les yeux les plus agaçants. 7e fifre La taille la plus fine. La Grenade. Le bras le plus rond… Elle est adorable! Tous Adorable! Rigobert. Mais je le sais bien. Un instant, un instant! Mais c’est à moi seul que revient… (On frappe.) Coraline. Ah! mon Dieu… écoutez… Me Robin (au dehors) Allons donc!… Coraline… Dormez-vous? Coraline C’est madame… si l’on me trouvait avec tout un régiment caché ici, c’est pour le coup qu’on me donnerait mon congé… là… là… entrez vite. Rigobert Oh! les bourgeois… ça vous dérange toujours. (Ils entrent à droite.) Scène 7e Me Robin, Coraline. Me Robin. Vous avez mis bien du temps à venir. Coraline Je m’étais endormie… Je croyais rêver que madame frappait et que je courais lui ouvrir! Me Robin Maître Popelinet était sorti. Coraline Ah! tant mieux. Me Robin Pourquoi tant mieux… Coraline Pour rien, madame… Me Robin Mais j’ai laissé à son clerc mon nom et mon adresse, en lui recommandant de lui dire que je l’attendais et que mon mari était absent. Coraline (à part) Voilà un message qui produira de l’effet. Mme Robin Sans doute il ne tardera pas. Coraline. C’est probable. (à part) Pourvu que Rigobert et ses camarades se tiennent tranquilles… de petits diables comme eux… comment vais-je pouvoir les faire évader!… (haut) Madame est fatiguée… elle devrait rentrer dans sa chambre et se reposer… Me Robin. C’est inutile… (On frappe.) On a frappé. Coraline Ah! mon Dieu! madame se trompe. Me Robin Je vous dis qu’on frappe. Coraline. En effet… (revenant) Madame! madame… c’est Mr Popelinet. Me Robin Lui! Qu’il entre vite! Coraline Entrez monsieur. (à part) Ma foi! Ils se débrouilleront comme ils pourront! (Elle sort.) Scène 8e Me Robin, Popelinet. Me Robin Mais monsieur je ne comprends rien à vos procédés. Comment, vous me parlez d’amour. Popelinet Votre lettre ne m’y autorise-elle pas? Me Robin Quelle lettre? Popelinet Eh! bien, mais, votre réponse à mes lettres, ce cri du cœur de six pages, effleuve d’une âme rêveuse et incomprise, victime d’un idiot de mari que je ne qualifierai pas davantage. Ah! quelles émotions! quand je l’ai trouvée comme je vous le demandais dans le creux… Me Robin Quel creux? Popelinet Du quatrième seule… Me Robin Lequel seule? Popelinet Où mon prénom était gravé sur l’écorce à côté du votre Cyprien – Olympe et Cyprien – avec un cœur au-dessous, traversé d’une flèche. Me Robin Quoi! Cyprien! Le petit Cyprien qui m’écrivait c’est vous! Popelinet Sans doute! Je suis le petit Cyprien. Me Robin (à part). Ah! Je me le figurais tout autre. Popelinet Ne le saviez-vous pas quand vous êtes venu chez moi tout-à-l’heure… quand vous m’avez fait demander? J’ai cru que Coraline vous avait dit qui j’étais. Me Robin Du tout… c’est au procureur que je m’adressais… Popelinet Ô désillusion… Me Robin. Mais, n’importe monsieur, je suis bien aise de vous voir… cette lettre imprudente que je vous ai écrite dans un moment d’égarement, de dépit contre mon mari, vous l’avez, n’est-ce pas? Popelinet Si je l’ai! Elle ne me quitte jamais! Me Robin Vous allez me la rendre!… Popelinet Moi… madame… un pareil sacrifice!… Jamais!… Scène 9e Les mêmes, Coraline, puis un traiteur Nègre. Coraline Madame, voci un traiteur qui apporte à souper. Me Robin Il se trompe. Popelinet Non! Quand vous m’avez fait demander, j’ai commandé ce repas… j’espérais que vous consentiriez… Me Robin Moi monsieur! Certes, je ne suis pas folle de mon mari, mais ce n’est pas un motif… Popelinet Oh! ne refusez pas… et en retour, cette lettre, ce trésor de lettre, ce gage épistolaire que vous avez la cruauté de me redemander… Me Robin. Vous me le rendriez? Popelinet. Je ne dis pas non. Me Robin Allons, je consens. Popelinet Servez chaud! Me Robin Il le faut bien – Imprudente. Scène 10e Popelinet Tu n’as rien oublié? La dinde truffée. Le Traiteur La dinde y est. Rigobert Eh bien! J’en vois de belles!… Coraline Tout est prêt! Rigobert Et le fumet des truffes qui vient jusqu’à moi!… Je ne réponds pas de mes camarades. Me Robin (à Coraline). Tu souperas avec nous! Popelinet Quoi vous voulez? Me Robin Je l’exige. Popelinet Un tête à tête à trois… Rigobert Que ne m’invite-t-on aussi?… (Bruit de serrure) Coraline On ouvre la porte en bas! Me Robin Il n’y a que mon mari qui ait un passe-partout. Popelinet Le mari… diantre!… Cachez-moi! Me Robin (à part) Cachons tout ça!… Ah! mon Dieu! me voilà compromise par ma faute… situation cruelle… (Coraline et Mme Robin emportent la table au fond.) Popelinet Mais cachez-moi donc. Coraline Non pas là!… Monsieur vous trouverait tout de suite… (Elle le pousse à droite.) Scène 11e Robin, Rigobert et Popelinet, cachés. Robin (avec une lanterne.) Ouf! quelles angoisses!… ces lueurs sur la route! ce vent dans mes oreilles et les arbres comme des fantômes avec leurs grands bras. Ah! J’ai cru que j’avais le diable à mes trousses… Dieu merci! je suis chez moi, bien chez moi, respirons! C’est égal, je suis furieux! ô Isabelle!… comme elle me trompait. Rigobert Isabelle!! Je connais ce nom-là! Robin Ah! Je ne suis pas près de repasser… rue aux Oies! Popelinet Rue aux oies… c’est mon quartier. Robin A peine avions-nous commencé à souper, et un souper tout aux truffes, que j’entends traîner un grand sabre, on frappe avec fracas. C’était un officier du régiment arrivé ce soir… Rigobert Mon capitaine! parbleu! Robin Arrivé ce soir!… Elle a prétendu que c’était son frère! Popelinet Est-ce qu’il n’a pas bientôt fini de causer tout seul. Robin. Que c’était son frère!… mais je n’en suis pas la dupe… au trouble avec lequel elle m’a fait évader j’ai bien compris… après tout c’était peut-être vrai!… de toutes les façons, je devais disparaître… si je ne m’étais pas sauvé quand j’ai entendu son grand sabre traîner dans le couloir… il m’aurait… ça ne pouvait-on pas manquer, un vendredi!! j’en ai la chair de poule… Dieu merci!… grâce à mes jambes que j’ai bonnes, il a perdu mes traces. Rigobert Oh! voilà qui est bon à savoir. Popelinet Heureusement que personne ne se doute que je suis là… (il aperçoit Rigobert) Oh! Rigobert (l’apercevant) Tiens! Popelinet On m’a vu! (il disparaît.) Robin Voyons, tout le monde est couché ici… Je voudrais pourtant bien manger quelque chose… maintenant que je n’ai plus peur, j’ai très faim! mon petit souper avait si bonne mine là-bas!… et cette volaille truffée était si appétissante!… Ce que c’est que l’illusion!! il me semble que son fumet m’a suivi jusqu’ici – oui, mais mon estomac, je sens que je meure de faim. Holà! quelqu’un! Eh! Coraline!… M’entendez-vous? Olympe aussi! Scène 12e Robin, Coraline, Me Robin. Coraline Mais nous dormons, bonté divine C’est vous, monsieur? Me Robin Vous… vous ici! Robin Ça sent la truffe! Coraline et Me Robin Ça sent la truffe! Tous Ce fumet-là peut [me/nous] trahir. Sachons agir en vrai Tartuffe. Si l’on m’accuse, il faut mentir. Robin Ça sent la truffe! Coraline On sent la truffe! Me Robin Je devine… ma fête approche. Coraline. En mari galant empressé Vous avez quelque dinde en poche; Me Robin A moi, vous auriez donc pensé Robin Pas du tout! Des pieds à la tête On peut me fouiller à l’instant Je n’ai pas sur moi d’autre bête. Ensemble Il n’est pas d’autre bête. Mais ce fumet, vraiment Peut trahir de la fête Le secret à l’instant. Me Robin. C’est positif, mais cependant. Reprise Ça sent la truffe Etc. Me Robin Que je vous flaire La chose est claire Vous arrivez d’un souper fin. Robin. Non! Je t’assure A preuve sûre C’est que j’arrive mort de faim. Sers moi du pain et du fromage Vous allez voir quel appétit Entendez-vous ce que j’ai dit. Me Robin Mais nous vous pensions en voyage. Nous n’avons rien! Robin Comment!… vous n’avez rien! Ça sent la truffe ici… Me Robin Vous plaisantez… Robin Ça sent la truffe ici… Me Robin Vous radotez! Assez flairé j’imagine Votre estomac a beau gémir Allez dormir Ensemble En rêvant cuisine [Vous croirez / Je croirai] manger [Venez / Allons][qui dort dîne / nous consoler!] (Ils vont pour sortir – On entend du bruit.) Robin Qu’est-ce que cela? Coraline Ah! mon Dieu! Popelinet Qu’est-ce qui arrive… Que je voudrais donc m’en aller! Me Robin Je tremble. Robin Il y a donc quelqu’un là… Me Robin Mais… Tous. Un soldat! Scène 13e Les mêmes, Rigobert. Coraline Maladroit! Rigobert C’est exprès! Tu vas voir! Je les tiens tous les deux. Robin Ah! ça, militaire, comment vous trouvez-vous làdedans? Rigobert Pas trop bien!… Robin N’équivoquons pas! Est-ce mademoiselle qui vous a introduit? Rigobert Mademoiselle? Ah! tiens, je n’avais pas remarqué… je vous salue, mesdemoiselles… ce sont vos filles? le lys et la rose, deux fleurs charmantes… Robin Répondez… qui vous a ouvert la porte? Rigobert Est-ce que j’entre par les portes? Robin Par la fenêtre alors? une escalade! Rigobert Moi par les fenêtres!… pour casser les vitres! pas davantage. Robin Hein! Et par où donc, s’il vous plaît, êtes-vous passé… jeune homme. Rigobert A travers la muraille… comme c’est mon habitude. Robin Allons donc! Rigobert Ça m’est plus commode. Coraline C’est qu’il ne rit pas! Rigobert Vous regardez mon habit. C’est un de mes 36 costumes… je suis un sorcier. Tous Un sorcier! Rigobert Toutes les fois qu’un régiment couche quelque part, je fais ma ronde de nuit d’un bout de la ville à l’autre au travers des cloisons… je me suis trompé de direction, voilà tout… n’est-ce pas mesdemoiselles? Robin Ne m’approchez pas. Popelinet Que je voudrais donc m’en aller? Rigobert Les sorciers vous font peur! Robin Mais certainement… et si vous êtes réellement un sorcier. Coraline Est-il bête? Rigobert Vous en doutez… (Il fait un trait de fifre, les camarades cachés lui répondent sur leurs fifres.) Popelinet Ah! mon Dieu! qu’est-ce que j’ai entendu… Robin Qu’est-ce que c’est que ça? Rigobert Ça c’est un fifre… un fifre enchanté. Robin Enchanté… Quatuor. Rigobert (à part.) Ah! la farce est bonne! Et déjà je voi Que chacun frissonne Tremblant devant moi Pour sortir d’affaire Sans dévoiler rien J’ai trouvé j’espère Le meilleur moyen! Ensemble. Caroline et Me Robin Ah! la farce est bonne Je comprends, ma foi Son aplomb m’étonne Pour moi plus d’effroi Pour sortir d’affaire Sans dévoiler rien Il a pris j’espère Le meilleur moyen Rigobert De peur il frissonne Je vois son effroi Non jamais personne N’eût-un tel émoi! Ici je veux faire Le diable si bien Que lui mon compère N’y comprendra rien Ici que veut faire Ce magicien Comment m’en défaire! Vrai! je n’en sais rien! Robin J’ai peur je frissonne Je tremble d’effroi Non jamais personne N’eut plus peur que moi! Helas comment faire Et par quel moyen Me tirer d’affaire Vrai! je n’en sais rien! Rigobert (à Robin.) Je sais tout, Isabelle à souper vous pria! (à Me Robin.) Ce procureur modèle Cyprien… il est là Reprise de l’ensemble J’ai peur, je frissonne Etc. Rigobert Mon pouvoir incroyable Peut ici vous offrir Un souper que le diable Sur-le-champ va servir Robin Mon Dieu! mon Dieu! serait-ce un vrai sorcier? Me Robin (à part.) Ô ciel! ô ciel! veut-il nous effrayer Reprise de l’ensemble J’ai peur, je frissonne Etc. Rigobert. Acceptez-vous le souper, dites. Robin Un bon souper! c’est bien tentant! Rigobert. C’est l’affaire d’une minute D’un ou deux appels de ma flûte Ne craignez rien, ou faites mieux Soufflez vous même… je le veux Mr Robin ferme les yeux. Rigobert lui fait souffler dans son fifre, fait signe à Mme Robin et à Caroline d’apporter la table. Robin Turlututun m’entendez-vous Turlutu, m’entendez-vous cric! crac! parait Et disparait Vous êtes servi, tout est prêt Mme Robin Nous sommes servis tout est prêt. Robin Ah! le sortilège est complet! Ensemble. Robin Une voix me conseille conseille De fuir ce festin Mais on n’a pas d’oreille d’oreille Alors qu’on meurt de faim! Les autres La frayeur lui D’éviter ce festin Mais on n’a pas Alors qu’on meurt de faim Ensemble. A table! à table! à table! Près [d’une femme / d’un convive] aimable Rien n’est plus agréable Qu’un souper fin Qu’un gai festin! Popelinet Les voilà tous à table Et moi je meurs de faim Rigobert Eh bien! que dites-vous de ce régal Pour un souper du diable, il n’est pas mal. Caroline Mais pour finir la fête Que ce fifre charmant De quelque chansonnette Soit l’accompagnement. Robin (parlé.) Tiens, une chanson de fifre?… ca me va assez. Rigobert Faut-il plus d’un fifre Pour vous divertir Qu’importe le chiffre Faites-vous servir! Et loin d’en rabattre En voulez vous deux, en voulez vous trois En voulez vous quatre Ou cinq ou six, tous à la fois Allons paraissez à ma voix Robin Comment tant de fifres que ça (Traits de fifre, à chaque trait un soldat sort.) Robin Ah! grand Dieux. Qu’est-ce que je vois C’est trop de fifres à la fois. Rigobert Allons, camarades, buvez Tous Buvons Rigobert Et en avant la chanson du fifre. Tous. Oui la chanson du fifre. Scène 12e Les memes. Les fifres. Couplets. Rigobert C’est ce fifre là Ce beau fifre là On peut tout quand on l’a Il est merveilleux Mais les curieux N’y touchent que des yeux 1. Qui gazouille, qui roucoule Mieux que l’oiseau dans les airs? Qui fait attirer la foule Aux endroits les plus déserts? Qui découvre au fond des mers Les secrets les plus cachés? Qui trouble le cœur des femmes Et des mari debauchés Tous Qui, qui, qui Rigobert C’est ce fifre là etc. Tous C’est ce fifre là Etc. 2. Rigobert Qui prévient de nos parades Le bourgeois que ca distrait? Qui prévient les camarades Attardés au cabaret? D’une gamme plus soudaine S’il survient quelques jaloux Qui prévient son capitaine S’oubliant au rendez-vous? Tous Qui, qui, qui qui Rigobert C’est ce fifre là Etc. Tous C’est ce fifre là (Caroline bat aux chmaps sur une assiette. Les fifres sonnent. Mr et Mme Robin défilent d’un air hébété.) Les fifres A table! à table! Robin (retournant le fifre dans ses mains.) C’est merveilleux! ainsi, en soufflant la dedans on obtient tout ce qu’on désire? Rigobert Tout! absolument! Robin Alors, vous croyez que ça pourrait servir à changer le caractère de ma femme? Mme Robin Hein?… Robin Ce serait un véritable bienfait! militaire, l’humeur de ma femme voyez-vous!… Un mélange de salpetre et de soupe au lait… Rigobert Ça doit aigrir! Mme Robin Monsieur!… Robin Et de plus volontaire, acariatre! Mme Robin Vous êtes un sot! Robin Hein? qu’est-ce que je vous disais! Mme Robin Ah! je suis la plus malheureuse des femmes. Robin Et moi le plus ennuyé des maris! Mme Robin Me faire une scène devant tout le monde! Ah! monsieur nous plaiderons! nous nous séparerons! Robin De grand cœur! ah! si j’avais un procureur sous la main. Rigobert (faisant un signe à Caroline) Vous voulez un procureur? Scène 14e Les mêmes, Popelinet (Popelinet paraît, de grandes lunettes sur le nez.) Rigobert. L’animal demandé! Robin C’est merveilleux! quel fifre!… Popelinet (à part) Attends!attends!… Mme Robin (bas.) Quelle imprudence! Popelinet (bas.) Vous allez voir! (nazillant) Eh bien, mon bon Mr Robin?… Robin Il sait mon nom! Popelinet Il s’agit d’une séparation! ça ne va pas être long! Robin Il va arranger mon affaire! Popelinet hein! hein! (il s’appuie sur le dossier d’une chaise.) Dans la cause appelée, je me présente pour Mr Robin! Vous me direz qu’allait faire ce ce soir votre rue aux oies? Robin Hein? Mme Robin Que dit-il? Popelinet Rue aux oies, chez la séduisante Isabelle!… Robin. Ah! ça est-ce qu’il ne va pas se taire? Mme Robin Quoi! Monsieur! Robin C’est faux! Popelinet. Eh bien, oui, messieurs! j’en conviens! j’ajoute qu’il y serait encore si le capitaine ne l’en avait fait fuir avec son grand sabre. Robin Il plaide mon affaire tout de travers! j’aurais pris le fifre du mauvais côté. Popelinet (tirant des papiers de sa poche.) Et maintenant faut-il vous lire cette correspondance… « O Cyprien… (se reprenant) Non! ca n’est pas ça! Mme Robin Ma lettre! Caroline (l’enlevant.) Ja la tiens! Popelinet Ma lettre! rendez-moi ma lettre! Robin Qu’est-ce que c’est? Eh! mais je le reconnais! c’est Mr Popelinet… Comment! chez moi! à une pareille heure. Caroline (bas à Robin.) Ne me perdez pas, Monsieur! il venait pour moi! Mme Robin Elle me sauve! Popelinet Elle nous sauve! Coraline Et maintenant, si Mr voulait consentir à mon mariage? Robin Avec Popelinet. Coraline Non Monsieur! il est trop laid! avec Rigobert. Rigobert Présent! Robin Ah! lui aussi! (à part) pauvre militaire! (à Caroline.) Mais n’auras tu pas peur de lui? Coraline Oh! non! Monsieur! il est bon diable! Robin Allons! allons! (à Mme Robin) Oublions tout cela ma mie, je te promets de ne plus retourner chez Isabelle. Mme Robin Soit! je pardonne! Robin Et moi, Monsieur le militaire, je vous pardonne aussi, car je comprends votre sorcellerie… je me disais aussi… hum! hum! ça sent la truffe! Rigobert (au public.) C’est l’heure de la retraite Nous rentrons tous au quartier Qu’ici grâce nous soit faite Pour ce plat de mon métier Mme Robin Il n’a pas le privilège D’être sorcier blanc ou noir Caroline Et l’unique sortilège Qu’il a cru trouver ce soir. Rigobert C’est ce fifre là Je n’ai que celui-là Quel est son pouvoir? On va le savoir S’il vous a plu ce soir!… Un salon bourgeois. Porte au fond. De chaque côté, une porte avec un œil de bœuf. Fenêtre à droite. Un paravent. Scène 1ère Coraline (Elle arrive en courant et va à la fenêtre.) Non! Je m’étais trompée! (Elle revient d’un air désappointé.) J’avais cru entendre la musique du régiment. Rien… la rue est solitaire!… pas un chat!… il n’y a que des bourgeois qui vont et viennent avec une impatience que je partage… Comme c’est triste une rue sans uniformes!… Enfin, c’est donc aujourd’hui que le Royal Berry doit entrer en ville. Quel beau régiment!… Et puis, c’est avec lui que revient Rigobert! mon petit Rigobert! le plus gentil fifre qui ait jamais fifré dans toutes les fifreris de France et de Navarre! Oh! Je me sens toute joyeuse rien que d’y penser! Chanson Ah! pour moi c’était une fête Qu’il était charmant! Quand il défilait à la tête De son régiment. Son gentil fifre à la parade Ainsi qu’aux combats Conduisait toute la brigade Et marquait le pas! Je crois encor l’entendre. Un amant aussi tendre N’aurait pas dû se rendre En d’autres garnisons Au diable le service! Faut-il que je choisisse Les plus jolis garçons! Après tout, j’aime autant qu’il arrive un peu plus tard. Mes maîtres sont encore là, et je n’aurais pas pu le recevoir, ce cher Rigobert. C’est si gênant les maîtres. Oh! mais il faudra bien qu’on me laisse l’épouser! D’abord madame ne pourra guère me refuser son consentement! Je la tiens!… Voilà quinze jours que Mr Popelinet le procureur en est devenu amoureux pour l’avoir vue à sa fenêtre! Il m’a remis au moins une douzaine de billets doux pour elle!… Oh! je dois le dire, madame les a tous déchirés… après les avoir lus, bien entendu!… Jusqu’à présent elle n’a répondu qu’une fois à cette correspondance, mais cela suffit pour la compromettre. De son côté ce bel amoureux n’a pas encore osé parler à madame, mais il y viendra et je serai encore plus indispensable. (On aperçoit au fond Popelinet.) Scène 2e Popelinet, Coraline. Popelinet Psstt!… Coraline Lui!… Je ne croyais pas si bien dire!… Comment, c’est vous, monsieur? Popelinet Puis-je entrer? Coraline C’est selon. Popelinet C’est juste, l’octroi. Je me risque et je veux enfin parler à ta belle maîtresse. Coraline Et vous croyez que je vous laisserai faire!… Popelinet Je le crois. Coraline Et vous croyez que je me tairai… Popelinet Tiens!… Voilà deux écus! Coraline Oh! les hommes! C’est il pervers. Popelinet Où est la chambre de ta maîtresse? Coraline Monsieur, vous m’avez donné six francs pour me taire, je n’ai rien à dire. Popelinet Eh bien tiens!… voilà encore six francs pour parler. Eh bien? Coraline C’est là!… Popelinet Merci!… J’y vole! Ô amour! Coraline Seulement, monsieur est avec madame. Popelinet Aïe!… Et tu ne me dis pas cela tout de suite. Coraline Partez! Qu’est-ce qu’on dirait si l’on me trouvait avec un procureur?… Popelinet Chut!… Veux-tu bien ne jamais prononcer ce motlà! Ta maîtresse doit toujours ignorer que l’auteur de ces petits-doux est un homme de loi. Cela jette du froid sur le sentiment et suffit à dépoétiser un homme!… J’ai signé mes lettres à ta maîtresse de mon prénom – Cyprien… le petit Cyprien… Et je lui ai écrit des vers où je la compare à Cypris! Cypris! Cyprien!! je ne suis, je ne dois être pour elle que le petit Cyprien… tu comprends… Au lieu de cela, le bel effet que produirait au bas d’un billet doux Popelinet, procureur!… avec paraphe! fi! cela aurait l’air d’un exploit!… Tandis que Cyprien… Coraline J’entends la voix de monsieur – partez vite… Popelinet Je disparais. Robin (au dedans) Non madame. Me Robin (id) Si monsieur!!… Scène 3e Coraline, Mr et Me Robin. M. Robin Oh! les femmes! les femmes! Mme Robin Oh! les hommes! les hommes! (Ils s’asseoient.) Coraline Monsieur a t-il besoin de moi? Robin Non! Sortez! Mme Robin Restez!… Allez chercher ma mante! mon éventail! Coraline On s’en va! tant mieux! Voilà, madame… avezvous besoin d’autre chose? Me Robin Non! Sortez! Robin Restez… Donnez-moi ma canne et mon chapeau. Me Robin Ainsi, c’est bien décidé – vous sortez. Robin Je vous l’ai dit, madame, mon ami d’enfance, Alcibiade de la Trombonnière est à la mort… il m’attend à sa campagne. Me Robin. A d’autres. Robin Coraline était là quand son domestique est venu (il donne de l’argent à Coraline – bas.) Dis comme moi! Coraline. Ah! pour ça! c’est vrai, madame! M. de la Trombonnière réclame monsieur. Me Robin. Allons donc! il se portait à merveille il y a 8 jours… je sais à quoi m’en tenir… Trio. Mme Robin Couplets. 1. Prend-on son habit de dimanche Pour aller soigner un voisin? Met-on une cravatte blanche Quand on n’est pas le médecin? C’est pour quelque intrigue amoureuse. Ah! que je suis donc malheureuse! 2. C’est donc pour un ami d’enfance Que vous vous êtes mis en frais. Vous sentez le musc et l’essence Vous vous êtes rasé de frais. C’est pour quelque intrigue amoureuse Grand Dieu! que je suis malheureuse. Ensemble. M et Mme Robin Ah! l’agréable ménage L’inventeur du mariage Fut quelque sot personnage Qui n’avait plus sa raison Vraiment la chose est bien claire C’est un enfer sur la terre Ah! si c’était à refaire Comme je répondrais non! Coraline Ah! le joli mariage Mon maître dans son ménage Joue un bien sot personnage C’est à perdre la raison Vraiment, la chose est bien claire C’est un enfer sur la terre Et si c’était à refaire Je crois qu’il répondrait non! Robin Mais vous êtes charmante. Me Robin Vous êtes bien bon, Dieu merci. Robin Quoi? Vous prenez votre mante. Mais vous sortez donc aussi? Me Robin A l’instant, oui, je m’absente Je dois faire comme vous. Une visite importante Adieu donc, mon cher époux Je dois sortir comme vous. Robin Partez, si vous le trouvez bon. Me Robin Merci de la permission. Coraline Quel couple aimable et sans façon. Tous Quel enfer que cette maison. Reprise de l’Ensemble. Ah! l’agréable ménage! Etc. Scène 4eme Coraline, Mme Robin. Coraline En voilà un de parti!… A madame à présent. Mme Robin Eh bien! Il part et il veut me faire croire qu’il va à la campagne! un vendredi et un treize! lui, l’homme le plus superstiticieux de la terre! plus souvent, et il ne t’a pas dit de l’attendre, de lui laisser la lumière, lui qui a peur de tout. Coraline Le fait est que ce n’est pas dans ses habitudes! D’ailleurs… si j’osais parler! Me Robin Tu sais quelque chose?… Coraline Tout à l’heure, monsieur m’a glissé deux écus pour me faire dire que j’avais vu le domestique de son pauvre ami, Mr de la Trombonnière. Me Robin J’en étais sûre! oh! je suis furieuse… je me vengerais, je ne suis pas embarrance pour cela… Je m’en vais de ce pas trouver quelqu’un qui me donnera un bon conseil. Coraline. Vous avez raison! (à part) Quel bonheur! Elle s’en va aussi! Me Robin. Si toutefois mon mari rentrait, tu lui diras que je veux plaider en séparation et que j’ai été consulter un procureur. Coraline Un procureur?… Et lequel?… Me Robin Il n’y en a qu’un dans la ville!… C’est maître Popelinet. Coraline Lui!… Mais madame! Me Robin Pas d’observations!… Ah! Mr Robin… Coraline. Si vous saviez… Me Robin Adieu. (Elle sort.) Scène 5e Coraline Eh! bien, le hasard est étrange!… Elle ne se doute pas qu’en allant chez le procureur, c’est chez un amoureux, chez le petit Cyprien qu’elle va! Quel quiproquo! (On entend une marche militaire.) Qu’entends-je? (Elle écoute.) Eh! mais oui… c’est bien cela!… C’est le régiment de Rigobert, le Royal Berri qui entre en ville! Rigobert se dirige de ce côté! les autres fifres le suivent. Eh bien! Est-ce qu’il va les amener? mon Dieu! Qu’est-ce que je vais faire de tout ce monde-là? Scène 6eme Coraline, Rigobert et dix fifres. Les fifres (se précipitant dans la salle.) Nous voilà! (ter) Nous voilà! (ter) Coraline D’où venez-vous, mon prétendu? Parle, dis-moi, d’où reviens-tu? Rigobert D’où je reviens? Coraline Oui, d’où tu viens? Rigobert 1. Nous revenons de Lille en Flandre Où nous fêtions Mars et Vénus Mars pour sa bière bonne à prendre Vénus pour compléter Bacchus! Ah! De mon fifre, de ma rapière L’effet brillant ne fut pas long! Là-bas, les buveuses de bière Vous disent qu’on soit noir ou blond. Turlututu… rrrlututu!… rrrlurutaine! Demandez à mon capitaine Turlututu!… rrrlututu!… rrrlututu!… Pour moi tous les cœurs ont battu! Chœur Turlututu, rlututu taines! Toujours de nouvelles fredaines Turlututu! rlutututu! Ah! quel succès nous avons eu! 2. Mais j’ai fait bonne résistance N’aimant que vous, ô ma beauté! Je suis un clou pour la constance Un chien pour la fidélité… Des preuves vous agréeraient-elles? J’en ai sur moi suffisamment… J’ai vos cheveux et vos bretelles… Est-ce là de l’attachement? Turlututu! rrrlututu! rrrlutututaine! Demandez à mon capitaine Turlututu! rrrlututu! rrrlututu!… Mon cœur pour vous seule a battu!! (Rigobert embrasse Coraline.) Reprise de l’ensemble. Tirlututu! Etc. etc. Coraline Modérez-vous… nous avons du temps à nous… madame est en visite. Rigobert Une femme qui cause… ça durera bien une petite heure. Les fifres Oh! oui! Coraline. Chez son procureur! La Rose. Un procureur! Ça en durera deux! Coraline Et elle lui dit du mal de son mari. La Tulipe Ça en durera trois! La Valeur Et c’est encore trop peu pour nous, ma toute belle! Rigobert Enfin! Voyons profitons de temps et puisque personne ne peut nous déranger… Qu’as-tu à nous offrir? Coraline Oh! mon Dieu rien!… La Rose. Pas de provisions? La Tulipe (ouvrant le buffet.) Le buffet est vide! La Valeur Voilà une maison mal tenue. L’Espérance. Et les clefs de la cave. Coraline C’est madame qui les a. Tous Oh! c’est indigne. La Tulipe Alors, puisqu’il n’y a rien à grignotter (Il embrasse la main de Coraline.) La Rose Puisqu’il n’y a rien à se mettre sous la dent… (Il embrasse l’autre main.) Tous. A la guerre comme à la guerre. Rigobert Eh! Eh! camarades! Pas de ça! La Rose On ne la mangera pas, la belle! Rigobert. Je l’espère bien. 1er fifre (La Rose.) Voyons! Donnez-nous un peu de nouvelles? La Tulipe. Est-ce que le vieil échevin a toujours cette petite servante blonde? Coraline Toujours. La Tulipe Tant mieux! On y retournera! La Rose Et madame la présidente a-t-elle conservé sa camériste? une grande brune? Coraline Sans doute. La Rose O merveille! Ah! comme elle faisait bien les crêpes. La Valeur Marinette la bouquetière est-elle encore au coin de la grande place? Coraline Non! Elle est partie pour Paris! La Valeur C’est dommage! L’Epsérance Louison est-elle restée au service du receveur des Jabelles? Coraline Non! Elle l’a épousé. L’Espérance Tant pis! La Rose Pour le receveur? Coraline Je ne sais pas. Rigobert Ah! ça! voyons, camarades, si vous causez toujours… La Tulipe Bah! Tu as bien le temps! La Valeur Et puis, ce que tu veux dire à Coraline, nous le lui dirons bien nous-mêmes. Elle est charmante! L’Espérance. Elle a le plus joli sourire. Jolicœur Le pied le plus mignon. Fanfan Les yeux les plus agaçants. 7e fifre La taille la plus fine. La Grenade. Le bras le plus rond… Elle est adorable! Tous Adorable! Rigobert. Mais je le sais bien. Un instant, un instant! Mais c’est à moi seul que revient… (On frappe.) Coraline. Ah! mon Dieu… écoutez… Me Robin (au dehors) Allons donc!… Coraline… Dormez-vous? Coraline C’est madame… si l’on me trouvait avec tout un régiment caché ici, c’est pour le coup qu’on me donnerait mon congé… là… là… entrez vite. Rigobert Oh! les bourgeois… ça vous dérange toujours. (Ils entrent à droite.) Scène 7e Me Robin, Coraline. Me Robin. Vous avez mis bien du temps à venir. Coraline Je m’étais endormie… Je croyais rêver que madame frappait et que je courais lui ouvrir! Me Robin Maître Popelinet était sorti. Coraline Ah! tant mieux. Me Robin Pourquoi tant mieux… Coraline Pour rien, madame… Me Robin Mais j’ai laissé à son clerc mon nom et mon adresse, en lui recommandant de lui dire que je l’attendais et que mon mari était absent. Coraline (à part) Voilà un message qui produira de l’effet. Mme Robin Sans doute il ne tardera pas. Coraline. C’est probable. (à part) Pourvu que Rigobert et ses camarades se tiennent tranquilles… de petits diables comme eux… comment vais-je pouvoir les faire évader!… (haut) Madame est fatiguée… elle devrait rentrer dans sa chambre et se reposer… Me Robin. C’est inutile… (On frappe.) On a frappé. Coraline Ah! mon Dieu! madame se trompe. Me Robin Je vous dis qu’on frappe. Coraline. En effet… (revenant) Madame! madame… c’est Mr Popelinet. Me Robin Lui! Qu’il entre vite! Coraline Entrez monsieur. (à part) Ma foi! Ils se débrouilleront comme ils pourront! (Elle sort.) Scène 8e Me Robin, Popelinet. Me Robin Mais monsieur je ne comprends rien à vos procédés. Comment, vous me parlez d’amour. Popelinet Votre lettre ne m’y autorise-elle pas? Me Robin Quelle lettre? Popelinet Eh! bien, mais, votre réponse à mes lettres, ce cri du cœur de six pages, effleuve d’une âme rêveuse et incomprise, victime d’un idiot de mari que je ne qualifierai pas davantage. Ah! quelles émotions! quand je l’ai trouvée comme je vous le demandais dans le creux… Me Robin Quel creux? Popelinet Du quatrième seule… Me Robin Lequel seule? Popelinet Où mon prénom était gravé sur l’écorce à côté du votre Cyprien – Olympe et Cyprien – avec un cœur au-dessous, traversé d’une flèche. Me Robin Quoi! Cyprien! Le petit Cyprien qui m’écrivait c’est vous! Popelinet Sans doute! Je suis le petit Cyprien. Me Robin (à part). Ah! Je me le figurais tout autre. Popelinet Ne le saviez-vous pas quand vous êtes venu chez moi tout-à-l’heure… quand vous m’avez fait demander? J’ai cru que Coraline vous avait dit qui j’étais. Me Robin Du tout… c’est au procureur que je m’adressais… Popelinet Ô désillusion… Me Robin. Mais, n’importe monsieur, je suis bien aise de vous voir… cette lettre imprudente que je vous ai écrite dans un moment d’égarement, de dépit contre mon mari, vous l’avez, n’est-ce pas? Popelinet Si je l’ai! Elle ne me quitte jamais! Me Robin Vous allez me la rendre!… Popelinet Moi… madame… un pareil sacrifice!… Jamais!… Scène 9e Les mêmes, Coraline, puis un traiteur Nègre. Coraline Madame, voci un traiteur qui apporte à souper. Me Robin Il se trompe. Popelinet Non! Quand vous m’avez fait demander, j’ai commandé ce repas… j’espérais que vous consentiriez… Me Robin Moi monsieur! Certes, je ne suis pas folle de mon mari, mais ce n’est pas un motif… Popelinet Oh! ne refusez pas… et en retour, cette lettre, ce trésor de lettre, ce gage épistolaire que vous avez la cruauté de me redemander… Me Robin. Vous me le rendriez? Popelinet. Je ne dis pas non. Me Robin Allons, je consens. Popelinet Servez chaud! Me Robin Il le faut bien – Imprudente. Scène 10e Popelinet Tu n’as rien oublié? La dinde truffée. Le Traiteur La dinde y est. Rigobert Eh bien! J’en vois de belles!… Coraline Tout est prêt! Rigobert Et le fumet des truffes qui vient jusqu’à moi!… Je ne réponds pas de mes camarades. Me Robin (à Coraline). Tu souperas avec nous! Popelinet Quoi vous voulez? Me Robin Je l’exige. Popelinet Un tête à tête à trois… Rigobert Que ne m’invite-t-on aussi?… (Bruit de serrure) Coraline On ouvre la porte en bas! Me Robin Il n’y a que mon mari qui ait un passe-partout. Popelinet Le mari… diantre!… Cachez-moi! Me Robin (à part) Cachons tout ça!… Ah! mon Dieu! me voilà compromise par ma faute… situation cruelle… (Coraline et Mme Robin emportent la table au fond.) Popelinet Mais cachez-moi donc. Coraline Non pas là!… Monsieur vous trouverait tout de suite… (Elle le pousse à droite.) Scène 11e Robin, Rigobert et Popelinet, cachés. Robin (avec une lanterne.) Ouf! quelles angoisses!… ces lueurs sur la route! ce vent dans mes oreilles et les arbres comme des fantômes avec leurs grands bras. Ah! J’ai cru que j’avais le diable à mes trousses… Dieu merci! je suis chez moi, bien chez moi, respirons! C’est égal, je suis furieux! ô Isabelle!… comme elle me trompait. Rigobert Isabelle!! Je connais ce nom-là! Robin Ah! Je ne suis pas près de repasser… rue aux Oies! Popelinet Rue aux oies… c’est mon quartier. Robin A peine avions-nous commencé à souper, et un souper tout aux truffes, que j’entends traîner un grand sabre, on frappe avec fracas. C’était un officier du régiment arrivé ce soir… Rigobert Mon capitaine! parbleu! Robin Arrivé ce soir!… Elle a prétendu que c’était son frère! Popelinet Est-ce qu’il n’a pas bientôt fini de causer tout seul. Robin. Que c’était son frère!… mais je n’en suis pas la dupe… au trouble avec lequel elle m’a fait évader j’ai bien compris… après tout c’était peut-être vrai!… de toutes les façons, je devais disparaître… si je ne m’étais pas sauvé quand j’ai entendu son grand sabre traîner dans le couloir… il m’aurait… ça ne pouvait-on pas manquer, un vendredi!! j’en ai la chair de poule… Dieu merci!… grâce à mes jambes que j’ai bonnes, il a perdu mes traces. Rigobert Oh! voilà qui est bon à savoir. Popelinet Heureusement que personne ne se doute que je suis là… (il aperçoit Rigobert) Oh! Rigobert (l’apercevant) Tiens! Popelinet On m’a vu! (il disparaît.) Robin Voyons, tout le monde est couché ici… Je voudrais pourtant bien manger quelque chose… maintenant que je n’ai plus peur, j’ai très faim! mon petit souper avait si bonne mine là-bas!… et cette volaille truffée était si appétissante!… Ce que c’est que l’illusion!! il me semble que son fumet m’a suivi jusqu’ici – oui, mais mon estomac, je sens que je meure de faim. Holà! quelqu’un! Eh! Coraline!… M’entendez-vous? Olympe aussi! Scène 12e Robin, Coraline, Me Robin. Coraline Mais nous dormons, bonté divine C’est vous, monsieur? Me Robin Vous… vous ici! Robin Ça sent la truffe! Coraline et Me Robin Ça sent la truffe! Tous Ce fumet-là peut [me/nous] trahir. Sachons agir en vrai Tartuffe. Si l’on m’accuse, il faut mentir. Robin Ça sent la truffe! Coraline On sent la truffe! Me Robin Je devine… ma fête approche. Coraline. En mari galant empressé Vous avez quelque dinde en poche; Me Robin A moi, vous auriez donc pensé Robin Pas du tout! Des pieds à la tête On peut me fouiller à l’instant Je n’ai pas sur moi d’autre bête. Ensemble Il n’est pas d’autre bête. Mais ce fumet, vraiment Peut trahir de la fête Le secret à l’instant. Me Robin. C’est positif, mais cependant. Reprise Ça sent la truffe Etc. Me Robin Que je vous flaire La chose est claire Vous arrivez d’un souper fin. Robin. Non! Je t’assure A preuve sûre C’est que j’arrive mort de faim. Sers moi du pain et du fromage Vous allez voir quel appétit Entendez-vous ce que j’ai dit. Me Robin Mais nous vous pensions en voyage. Nous n’avons rien! Robin Comment!… vous n’avez rien! Ça sent la truffe ici… Me Robin Vous plaisantez… Robin Ça sent la truffe ici… Me Robin Vous radotez! Assez flairé j’imagine Votre estomac a beau gémir Allez dormir Ensemble En rêvant cuisine [Vous croirez / Je croirai] manger [Venez / Allons][qui dort dîne / nous consoler!] (Ils vont pour sortir – On entend du bruit.) Robin Qu’est-ce que cela? Coraline Ah! mon Dieu! Popelinet Qu’est-ce qui arrive… Que je voudrais donc m’en aller! Me Robin Je tremble. Robin Il y a donc quelqu’un là… Me Robin Mais… Tous. Un soldat! Scène 13e Les mêmes, Rigobert. Coraline Maladroit! Rigobert C’est exprès! Tu vas voir! Je les tiens tous les deux. Robin Ah! ça, militaire, comment vous trouvez-vous làdedans? Rigobert Pas trop bien!… Robin N’équivoquons pas! Est-ce mademoiselle qui vous a introduit? Rigobert Mademoiselle? Ah! tiens, je n’avais pas remarqué… je vous salue, mesdemoiselles… ce sont vos filles? le lys et la rose, deux fleurs charmantes… Robin Répondez… qui vous a ouvert la porte? Rigobert Est-ce que j’entre par les portes? Robin Par la fenêtre alors? une escalade! Rigobert Moi par les fenêtres!… pour casser les vitres! pas davantage. Robin Hein! Et par où donc, s’il vous plaît, êtes-vous passé… jeune homme. Rigobert A travers la muraille… comme c’est mon habitude. Robin Allons donc! Rigobert Ça m’est plus commode. Coraline C’est qu’il ne rit pas! Rigobert Vous regardez mon habit. C’est un de mes 36 costumes… je suis un sorcier. Tous Un sorcier! Rigobert Toutes les fois qu’un régiment couche quelque part, je fais ma ronde de nuit d’un bout de la ville à l’autre au travers des cloisons… je me suis trompé de direction, voilà tout… n’est-ce pas mesdemoiselles? Robin Ne m’approchez pas. Popelinet Que je voudrais donc m’en aller? Rigobert Les sorciers vous font peur! Robin Mais certainement… et si vous êtes réellement un sorcier. Coraline Est-il bête? Rigobert Vous en doutez… (Il fait un trait de fifre, les camarades cachés lui répondent sur leurs fifres.) Popelinet Ah! mon Dieu! qu’est-ce que j’ai entendu… Robin Qu’est-ce que c’est que ça? Rigobert Ça c’est un fifre… un fifre enchanté. Robin Enchanté… Quatuor. Rigobert (à part.) Ah! la farce est bonne! Et déjà je voi Que chacun frissonne Tremblant devant moi Pour sortir d’affaire Sans dévoiler rien J’ai trouvé j’espère Le meilleur moyen! Ensemble. Caroline et Me Robin Ah! la farce est bonne Je comprends, ma foi Son aplomb m’étonne Pour moi plus d’effroi Pour sortir d’affaire Sans dévoiler rien Il a pris j’espère Le meilleur moyen Rigobert De peur il frissonne Je vois son effroi Non jamais personne N’eût-un tel émoi! Ici je veux faire Le diable si bien Que lui mon compère N’y comprendra rien Ici que veut faire Ce magicien Comment m’en défaire! Vrai! je n’en sais rien! Robin J’ai peur je frissonne Je tremble d’effroi Non jamais personne N’eut plus peur que moi! Helas comment faire Et par quel moyen Me tirer d’affaire Vrai! je n’en sais rien! Rigobert (à Robin.) Je sais tout, Isabelle à souper vous pria! (à Me Robin.) Ce procureur modèle Cyprien… il est là Reprise de l’ensemble J’ai peur, je frissonne Etc. Rigobert Mon pouvoir incroyable Peut ici vous offrir Un souper que le diable Sur-le-champ va servir Robin Mon Dieu! mon Dieu! serait-ce un vrai sorcier? Me Robin (à part.) Ô ciel! ô ciel! veut-il nous effrayer Reprise de l’ensemble J’ai peur, je frissonne Etc. Rigobert. Acceptez-vous le souper, dites. Robin Un bon souper! c’est bien tentant! Rigobert. C’est l’affaire d’une minute D’un ou deux appels de ma flûte Ne craignez rien, ou faites mieux Soufflez vous même… je le veux Mr Robin ferme les yeux. Rigobert lui fait souffler dans son fifre, fait signe à Mme Robin et à Caroline d’apporter la table. Robin Turlututun m’entendez-vous Turlutu, m’entendez-vous cric! crac! parait Et disparait Vous êtes servi, tout est prêt Mme Robin Nous sommes servis tout est prêt. Robin Ah! le sortilège est complet! Ensemble. Robin Une voix me conseille conseille De fuir ce festin Mais on n’a pas d’oreille d’oreille Alors qu’on meurt de faim! Les autres La frayeur lui D’éviter ce festin Mais on n’a pas Alors qu’on meurt de faim Ensemble. A table! à table! à table! Près [d’une femme / d’un convive] aimable Rien n’est plus agréable Qu’un souper fin Qu’un gai festin! Popelinet Les voilà tous à table Et moi je meurs de faim Rigobert Eh bien! que dites-vous de ce régal Pour un souper du diable, il n’est pas mal. Caroline Mais pour finir la fête Que ce fifre charmant De quelque chansonnette Soit l’accompagnement. Robin (parlé.) Tiens, une chanson de fifre?… ca me va assez. Rigobert Faut-il plus d’un fifre Pour vous divertir Qu’importe le chiffre Faites-vous servir! Et loin d’en rabattre En voulez vous deux, en voulez vous trois En voulez vous quatre Ou cinq ou six, tous à la fois Allons paraissez à ma voix Robin Comment tant de fifres que ça (Traits de fifre, à chaque trait un soldat sort.) Robin Ah! grand Dieux. Qu’est-ce que je vois C’est trop de fifres à la fois. Rigobert Allons, camarades, buvez Tous Buvons Rigobert Et en avant la chanson du fifre. Tous. Oui la chanson du fifre. Scène 12e Les memes. Les fifres. Couplets. Rigobert C’est ce fifre là Ce beau fifre là On peut tout quand on l’a Il est merveilleux Mais les curieux N’y touchent que des yeux 1. Qui gazouille, qui roucoule Mieux que l’oiseau dans les airs? Qui fait attirer la foule Aux endroits les plus déserts? Qui découvre au fond des mers Les secrets les plus cachés? Qui trouble le cœur des femmes Et des mari debauchés Tous Qui, qui, qui Rigobert C’est ce fifre là etc. Tous C’est ce fifre là Etc. 2. Rigobert Qui prévient de nos parades Le bourgeois que ca distrait? Qui prévient les camarades Attardés au cabaret? D’une gamme plus soudaine S’il survient quelques jaloux Qui prévient son capitaine S’oubliant au rendez-vous? Tous Qui, qui, qui qui Rigobert C’est ce fifre là Etc. Tous C’est ce fifre là (Caroline bat aux chmaps sur une assiette. Les fifres sonnent. Mr et Mme Robin défilent d’un air hébété.) Les fifres A table! à table! Robin (retournant le fifre dans ses mains.) C’est merveilleux! ainsi, en soufflant la dedans on obtient tout ce qu’on désire? Rigobert Tout! absolument! Robin Alors, vous croyez que ça pourrait servir à changer le caractère de ma femme? Mme Robin Hein?… Robin Ce serait un véritable bienfait! militaire, l’humeur de ma femme voyez-vous!… Un mélange de salpetre et de soupe au lait… Rigobert Ça doit aigrir! Mme Robin Monsieur!… Robin Et de plus volontaire, acariatre! Mme Robin Vous êtes un sot! Robin Hein? qu’est-ce que je vous disais! Mme Robin Ah! je suis la plus malheureuse des femmes. Robin Et moi le plus ennuyé des maris! Mme Robin Me faire une scène devant tout le monde! Ah! monsieur nous plaiderons! nous nous séparerons! Robin De grand cœur! ah! si j’avais un procureur sous la main. Rigobert (faisant un signe à Caroline) Vous voulez un procureur? Scène 14e Les mêmes, Popelinet (Popelinet paraît, de grandes lunettes sur le nez.) Rigobert. L’animal demandé! Robin C’est merveilleux! quel fifre!… Popelinet (à part) Attends!attends!… Mme Robin (bas.) Quelle imprudence! Popelinet (bas.) Vous allez voir! (nazillant) Eh bien, mon bon Mr Robin?… Robin Il sait mon nom! Popelinet Il s’agit d’une séparation! ça ne va pas être long! Robin Il va arranger mon affaire! Popelinet hein! hein! (il s’appuie sur le dossier d’une chaise.) Dans la cause appelée, je me présente pour Mr Robin! Vous me direz qu’allait faire ce ce soir votre rue aux oies? Robin Hein? Mme Robin Que dit-il? Popelinet Rue aux oies, chez la séduisante Isabelle!… Robin. Ah! ça est-ce qu’il ne va pas se taire? Mme Robin Quoi! Monsieur! Robin C’est faux! Popelinet. Eh bien, oui, messieurs! j’en conviens! j’ajoute qu’il y serait encore si le capitaine ne l’en avait fait fuir avec son grand sabre. Robin Il plaide mon affaire tout de travers! j’aurais pris le fifre du mauvais côté. Popelinet (tirant des papiers de sa poche.) Et maintenant faut-il vous lire cette correspondance… « O Cyprien… (se reprenant) Non! ca n’est pas ça! Mme Robin Ma lettre! Caroline (l’enlevant.) Ja la tiens! Popelinet Ma lettre! rendez-moi ma lettre! Robin Qu’est-ce que c’est? Eh! mais je le reconnais! c’est Mr Popelinet… Comment! chez moi! à une pareille heure. Caroline (bas à Robin.) Ne me perdez pas, Monsieur! il venait pour moi! Mme Robin Elle me sauve! Popelinet Elle nous sauve! Coraline Et maintenant, si Mr voulait consentir à mon mariage? Robin Avec Popelinet. Coraline Non Monsieur! il est trop laid! avec Rigobert. Rigobert Présent! Robin Ah! lui aussi! (à part) pauvre militaire! (à Caroline.) Mais n’auras tu pas peur de lui? Coraline Oh! non! Monsieur! il est bon diable! Robin Allons! allons! (à Mme Robin) Oublions tout cela ma mie, je te promets de ne plus retourner chez Isabelle. Mme Robin Soit! je pardonne! Robin Et moi, Monsieur le militaire, je vous pardonne aussi, car je comprends votre sorcellerie… je me disais aussi… hum! hum! ça sent la truffe! Rigobert (au public.) C’est l’heure de la retraite Nous rentrons tous au quartier Qu’ici grâce nous soit faite Pour ce plat de mon métier Mme Robin Il n’a pas le privilège D’être sorcier blanc ou noir Caroline Et l’unique sortilège Qu’il a cru trouver ce soir. Rigobert C’est ce fifre là Je n’ai que celui-là Quel est son pouvoir? On va le savoir S’il vous a plu ce soir!… Offenbach,Jacques/Le fifre enchanté
https://w.atwiki.jp/oper/pages/617.html
管理人より こちらに掲載している原語リブレットはどうやらホーフマンスタールの生台本だったようで、シュトラウスが音楽を付けてない部分や追加した詩句があるようです。生台本は話のつながりがスムーズな点もあるということで、wagnerianchanさまはそのまま訳出してくれました。管理人がシュトラウスがカットした原語部分をグレーにする処理を行っています。通常のリブレット日本語対訳はこちらをご覧ください。 → メモ@広報室 （アデライーデが、ヴァルトナーがやって来る音に耳を澄ましながら、舞台左手から出て来る。すると同時にヴァルトナーも現れる。彼は上品な身なりをしており、都会風のコートにシルクハットをかぶり、ステッキを持ち、手袋をはめている。 彼は見たところエレガントだが、疲れきって、徹夜明けのように見え、誰も目にとまらないかのように部屋を横切ると、舞台右手前方の肘掛椅子に身を沈める） ADELAIDE 二人とも。私達だけにしてくれない。 お父さんは、ずいぶんご心労のようだわ。 （アラベラは左手後方へ、ズデンカは右手後方へと退場） WALDNER （立ち上がり、屏風の陰で上着を脱ぐと、シルクハットをテーブルの上に置く。請求書入りの封筒の束を目にすると、機械的にそれを見つめた後、次々と封筒を引っ張り出す） こんなのしかないのか？ これ以外、誰からも手紙は来なかったのか？ ADELAIDE またギャンブルね？負けたんでしょ、テオドール？ （ヴァルトナーは黙り込む） 連隊の戦友に手紙を出されたんでしたね？ WALDNER 誰からも返事が来ない！冷たいものだ。 （肘掛椅子に身を投げる。独り言だが、半ばはアデライーデに向けて） マンドリカという男がいた。 大金持ちで、そのうえ夢想癖のある男だった。 一度あの男は、ある女のために、ヴェローナの通りに３千もの桶に入った塩を撒き散らしたことがある。その女が、夏の盛りの８月なのに、橇遊びをしたいと言ったからだよ！ だから、わしは、あの男の豪儀さを当てに、 アラベラの写真を中に入れておいたんだ・・・ 白鳥の縁どり付きの青い舞踏会用ドレスの写真を。 わしはこう思ったのだ・・・あの、いかれた男なら、ここに来て、あの子を嫁にしてくれないとも限らんとな！ ADELAIDE ああ、美しいあの子が、そんなお爺さんと一緒になるなんて！ WALDNER （激しい口調で） 誰か確実な求婚者が来なければいかんのだ！ 終わりのない無益なご機嫌取りなどもう沢山だ！ 我々が救われる道はそれしかないんだ！ （立ち上がって、部屋を行ったり来たりする） ADELAIDE （突然、霊感に打たれたように） 逃げましょう！ヤドヴィーガ叔母さんの所へ！ きっと城館に迎えてくれるわよ！ あなたは管理人になり、 私は、叔母さんの家を取り仕切ればいいんだわ。 WALDNER そうしたら、娘たちは？ ADELAIDE ズデンカは、ずっと給仕のままよ・・・ 二人もの娘を 養えるはずがないわ！ でも、アラベラ・・・あの子には予言がある。 素晴らしい結婚で幸せをつかむはずよ！ WALDNER （激怒しながら） そんなことしていたら、 最後の頼みの五十男は死んでしまうぞ！ ADELAIDE 落ち着いて。テオドール。 夢の中に３つの数字が現れたの！ 間違いのない、素晴らしい数字よ！ WALDNER おお、もうたわごとはよすんだ！ エメラルド・ブローチを質に入れて、わしに金をよこせ！ 何っ？もう持ってない？質に入れたのか？ ADELAIDE もう先週にね。あれが最後の品だったわ。 ああ、このウィーンってところは！ WALDNER 今日こそツキがめぐってくるはず！ 指が、その気配を感じているというのに！ なんと不運なわしだ！ ADELAIDE でも、この深い恥辱の中から、美の力によって、 最高に高い所にまで 引き上げられるかもわからないわ！ WALDNER もう財布には１グルデンも残ってないぞ！ （激しい身振りで妻に出て行くよう合図する） ADELAIDE （後ろに下がって行き、舞台前方左手のドアと蝶番の間で、恍惚として） ひょっとして、いとも高貴な身分の方の家で 愛に満ちた結婚式が行われないこともないわ。 （退場する） WALDNER （再び請求書に目を通し、最初の文面を読み上げる） 「これ以上お待ちできる状況にはありません！」 （２つ目の請求書を手に取り） 「あるいは司法の手をわずらわせる事態にも・・・」 かわいそうな妻！娘たち！ （背後に手を伸ばし、呼び鈴の綱を引っ張って鳴らすと、ホテルの部屋係が入って来る） WALDNER コニャックを！ ZIMMERKELLNER＜部屋係 ８番様にはサービスできかねます！ すぐに、お支払いをいただかない限り！ WALDNER 出て行ってくれ。いらないから。 （部屋を行ったり来たりして） 今頃みんな集まって、また一勝負始めているだろうに。 それ以外のことは、時間の無駄だ！ ZIMMERKELLNER （トレーを持って入って来る） ご来客が！ WALDNER 出かけたと言ってくれ。 そいつは、そこに置け！ （部屋係は、ヴァルトナーに言われた場所に名刺を置いて退場） WALDNER （眺めながら） でも、あれは請求書じゃないな。 業者が名刺を使って挨拶回りしているのか？ （そのほうに行き、名刺を手に取ると、嬉しさのあまり飛び上がる） マンドリカ！ （目を疑いながら） 大金持ち！連隊の大親友！ ZIMMERKELLNER （扉の所に立って） どうしてもお会いしたいとおっしゃるのですが。 WALDNER お通しするように！ （入って来た男を、手を広げて出迎える） ようこそ、戦友！ （大柄で、とても力が強そうだが、エレガントな姿をしたマンドリカが現れる。歳は、せいぜい３５歳という所で、どことなく地方的な感じに見える。しかし、服装はとても立派で、かけらほどの田舎っぽさも無い。ヴェルコは、マンドリカの後ろから入場し、扉のところで立ち止まっている） WALDNER （当惑して、後じさりする） MANDRYKA 騎兵隊長ヴァルトナー伯爵さまではありませんか？ WALDNER いかにもヴァルトナーです。 もう騎兵隊長ではありませんがな。 （マンドリカは右手を後ろに突き出す。 ヴェルコは、頭を下げたまま、マンドリカの手に手紙を渡す） MANDRYKA （手紙を手に、ヴァルトナーに近寄って行く） 伯爵、この手紙の主はあなた様ですか？ （ヴァルトナーは、しわくちゃで血まみれになった手紙を受け取る） MANDRYKA （とても軽やかに、元気良く、きわめて丁重に） 少し血が付いていますが、読めないほどではありません。 この手紙が私に届いた時、私は、年寄りの熊をしとめようとしていたので、その熊に襲われて少し引っかかれたのです。 もう過ぎたことです。 WALDNER （一瞥した後で、手紙を返しながら） 確かに、あなたと同名の男に手紙を書きました・・・ 私の友人で、連隊の戦友であるその男に。 MANDRYKA それは私の伯父です。伯父は死にました。 今、マンドリカといえば私だけです。 ですからお許しください。この手紙を、私が開封してしまったことを。ところで、お聞きしたいことが一つだけ・・・ ヴェルコ！あの写真を！ WELKO （写真を手渡しながら） 万事順調ですぞ・・・大侯様。 このお顔をした美女は、確かにこの家に。 MANDRYKA （写真を手にして） 伯爵さま･･･古い戦友として 私の伯父宛てに出されたこの手紙に、 あなた様は、このご婦人の写真を同封されましたな。 WALDNER （ちらっと写真を見て、どうでもいいことのような口調で） いかにも！私の娘である アラベラの写真ですよ！ MANDRYKA （目立って興奮するが、姿勢は崩さずに） ご令嬢は結婚しておられないのですか・・・？ WALDNER （うなずく） まだです。 MANDRYKA 今のところ婚約もなされてないと？ WALDNER 今のところはまだです。 MANDRYKA （きわめて真剣に、厳粛と言ってもいい態度で） ５分ほど、お話しさせていただきたいのです。 （ヴェルコは、２つの肘掛椅子を向い合せになるよう素早く動かし、後ろにずらす。ヴァルトナーとマンドリカは腰掛ける。マンドリカは当惑して、やや間を置き、ヴァルトナーは緊張している） MANDRYKA 率直に質問させていただいて、よろしいでしょうか？ WALDNER あなたは、あの大切な戦友の甥であり、相続人です。 なんなりと、どうぞ！ MANDRYKA 感謝いたします・・・ （にわかに考えをめぐらしながら） 死んだ伯父あての手紙に、 ご令嬢の魅力的な写真を 同封されたとき、 あるいは、そこに何か目的のようなものが ありませんでしたか？･･･失礼ならばお許しを。 WALDNER （慎重に） これはしたり！あのご老人を 少しからかいたいと思っただけなのです！ MANDRYKA （きわめて注意深く、ヴァルトナーの言う全ての言葉の意味を十分に受け止めようとしながら） 伯父をからかうですって？ ですが、こうなっていたかも知れませんよ・・・ 伯父の体がまだ丈夫で、 男盛りの状態だったとしたら、 この肖像写真の美しさに参ってしまい、 あなたの前に現れて、 誰が見ても申し分のない貴族として、 こう宣言していたかも知れません・・・。 「あの顔を一目見て、求婚の名乗りを上げぬ男など、神のお計らいで、この地上に生まれた意味など無い！ 私の妻として、妃として、この女性をいただきたい！」と。 どうでしょう？もしかしたら、 こう言ったかも知れないのですよ！ WALDNER だとすれば、私どもも 不意を突かれたかも知れませんなあ。 MANDRYKA （とても興奮しつつも、気持ちを抑えながら立ち上がる） 伯父はあの世に行きました。 今は私が唯一のマンドリカです。 いくつもの森や村を、私は治めています。 ４千人の領民が、私の幸せを念じています・・・。 そんな私が・・・もろ手をあげてお願いするのです・・・ お父君。この私に、 ご令嬢をいただけないでしょうか。 この１４週もの間、胸の中で、 ひと時たりと想いが消えぬあの方を、 私の妻としていただきたいのです。 （ヴァルトナーは驚きのあまり絶句する） ためらっておられますが、これは死の宣告ですか？ だめなのですか？ （ヴァルトナーは首を横に振る） 会えるのですね？ （ヴァルトナーはうなずく） お許しを・・・ この手紙が届いたちょうどその時、 私は、年寄り熊の手につかまれ、 あばら骨が４本つぶれてしまったのです。 そのため、１２週間、 ベッドで横になっていたのですが・・・ 目の前には、この写真のお姿が・・・ この思いはますます強くなり、 ついには魂がかっさらわれてしまったのです！ （誇張するわけでもなく、とても素朴に） 資産の管理人達が見舞いに参りました。 「我らの殿様に何が？」 荘園の小作人達が参りました。 「我らの殿様に何が？」 牧場で働く者達が参りました。 「殿は、もう馬遊びができないのでは？」 森の番人達が参りました。 「殿は、もう狩りを楽しまれないのでは？」 私はそれには何も答えずに「ヴェルコ！」と叫び、 「あのユダヤ人を連れて来い！何と言う名だったかな？あのジシェクのユダヤ人は？あの男は、私の森を買うつもりだったな？あの樫の木の森を！ 早く、あの男を連れて来て、 現金を持ってくるよう伝えろ。 なぜなら明朝、私は旅立ち、 首都ウィーンで皇帝に謁見するのだ。 １秒１秒、金が必要だ。 求婚の旅に障害があってはならんぞ！」 （マンドリカは、大きいがエレガントな札入れを取り出す。そこには無造作に投げ込まれた千グルデン紙幣の分厚い束が入っている） 森がこんなのになりました・・・ 美しい森でした･･･ そこには隠者達が住んでいました。 ジプシーもいました。老いた鹿もいましたし、 いくつもの炭焼き窯が煙を上げていました。 みんな、こんな紙切れごときに変わってしまったのです！ ですが、樫の森など、 領地には、まだうなるほどあります。 子々孫々にいたるまで・・・神の御加護を！・・・ お願いですから、こんなことを話すのを お許しください！ 自分でもなぜかわからないのですが、 もう口にしてしまったことです！ （札入れをしまおうとする） WALDNER （思わず体が反応して、マンドリカが札入れをしまうのを止める）ああ！非常に興味深いお話です！ 考えてみれば・・・一つの森が・・・隠者達と、 ジプシーと、老いた鹿の住まっていた森が、 一二の三で・・・こんな札入れに化けたのですな！ 長い間、このようなものを見たことはありませんでした。 （札入れに心を奪われ、じっと見つめている） MANDRYKA （きわめて軽快に愛想良く、札入れを差し出す） もしかしますと？あるいはご入り用ですか？ 今すぐに？いいえ、 私のほうこそ、お情けにすがっているのです！ どうぞ、ご自由に！ WALDNER （ややためらった後で、千グルデン紙幣を１枚つかむ） 実は、銀行の担当者が旅行で不在なのです！ 遅くとも、今晩にはお返しいたします！ MANDRYKA （あらためて札入れを差し出し、あたたかく） もういいのですか？ 何とぞお願いします！何としても！ ですから、どうぞ、ご自由に！ （ヴァルトナーは２枚目の紙幣をつかむと、１枚目の紙幣ともども無造作にチョッキのポケットにつっこむ） （マンドリカは胸のポケットに札入れをしまう。困惑したような間を少し置いてから） MANDRYKA それでは、伯爵夫人どのを いつご紹介いただけるのでしょうか・・・ そして、御令嬢は？ WALDNER 二人とも、隣の部屋にいますぞ。 （マンドリカは、驚きあわてて立ち上がる） WALDNER （同時に立ち上がる） お会いになりたいんでしょう？今呼びます・・・ ご紹介いたします。 MANDRYKA 今ですって？そんな？ いや、まだです！今は決して！ WALDNER 伯父さまは、こんな内気な方でしたっけかねえ！ MANDRYKA （きわめて真剣に） それは別の話でしょう。 これは神聖な事柄なのですから。 WALDNER ではお望みのままに。 MANDRYKA （口調を変えて） 私はこのホテルに泊めていただき、 ご夫人がお命じになるまで待つつもりです。 私の自己紹介にふさわしい時間をご指定下さい。 午後でも、晩でも・・・いつでもかまいません。 （マンドリカは一礼して辞去する。ヴァルトナーは握手の手を差し出し、彼を扉まで送って行く） WALDNER （一人で） これは夢か？いや、たしかにここにいたぞ。 マンドリカの甥が。 こんなことが起こった試しがあるだろうか！ （ヴァルトナーは、くしゃくしゃになった紙幣を１枚２枚と引き出し、しわをたたんでから、すっからかんの財布につっこむ） 夢か？いや、違う！夢じゃない！ （もう一度紙幣を１枚取り出し、何も考えずに、紙幣をひねって小さなじょうごのようにして手に持つ。軽やかなアクセントでマンドリカの口調をまねながら、かなり大声を出す） でしたらどうぞ、ご自由に！ ZIMMERKELLNER （部屋に入って来て） お呼びで？ （ヴァルトナーの手にある千グルデン紙幣に気付くと、ころっと口調を変えて） ご下命ですか？ WALDNER （静かに、やさしく、独り言で） どうぞ、ご自由に！ ZIMMERKELLNER 両替をお命じですか？ WALDNER ひょっとしたら後で頼むかもな。まだいいよ。 （部屋係は退場） WALDNER （独り言。優美に） どうぞ、ご自由に！ （とろけんばかりの猫なで声で） どうぞ、ご自由に！ （威厳をこめて） どうぞ、ご自由に！ （コート、帽子、ステッキを手に取って） ZDENKA （右側のドアから出て来る） お呼びですか？パパ？ WALDNER （喜びのあまり大はしゃぎで） どうぞ、ご自由に！ ZDENKA 誰と話してるの？何が起こったの？パパ？ WALDNER （初めて、自分一人じゃないことに気付く） 何でもない。ちょっと出かけてくる。 人を待たせておるんでな。 何か欲しいものはあるかい？ （手に持った千グルデン紙幣を振って、ズデンカに合図する） こいつを両替してくるのさ。 じゃあな。 （中央の扉から出て行く） ZDENKA （一人残されて） パパ！行っちゃった。 あんなお父さん、初めて見た。 心配のあまり、おかしくなったのかも！ この街を出なけりゃいけない・・・明日にもすぐ・・・ マッテオに会えるのも今日が最後なのかも・・・ ああ、神様、弱いあたしに力をください！ （マッテオが素早く、人目につかないように中央扉から入って来るので、ズデンカはびっくりする） MATTEO 父上には気付かれなかったよ。扉の横にぴったりくっついていたからね。 ZDENKA （左後方のドアを指差して） しいっ！中にお姉さんがいるよ！ （耳を澄ます） ぼくを呼んでいる！ MATTEO お会いすることはできないのかい？ ZDENKA 今はだめだ！お願いだ！今は！ MATTEO じゃあ、手紙があるんだね？ ZDENKA 手紙？ああ！いや！今はだめだ。 お姉さんは言ってた。あなたへの手紙は・・・ 今晩の・・・御者舞踏会で・・・ それまでは家にいて・・・ このホテルで・・・ もしかしたら、ぼくが君の部屋に手紙を・・・ そうでなければ、舞踏会の場で渡すよ！ MATTEO 見捨てる気じゃないだろうね？信じているよ！ （ズデンカは不安げに、アラべラのいる左手のドアを指差す。マッテオは急いで退場。すると、アラベラが新しいドレス、コート、帽子に着替えて、そこから現れる。ズデンカは、混乱と戸惑いを隠しきれずに立ち尽くしている。外からは橇の鈴の音が聞こえて来る） ARABELLA まだ準備してないなんて！ 今まで何をしていたの？ 早く着替えなさいよ！そりを曳く馬だって、 我慢できずに、いきり立っているわよ。 ZDENKA 馬だって？・・・もっと我慢できないでいるのは、 たぶん、あなたのエレメルだよ！ （舞台右手の隣室に駆け込む） ARABELLA あたしのエレメル！とてもおかしな響きね･･･ （腰を下ろす） あたしのもの？あの人のもの？それって何なの。 不安な気持ちに襲われる・・・ そうじゃない･･･何かを想いこがれている。 でもいったい何を？マッテオを？ （立ち上がって） 私なしじゃ生きられないと繰り返し言いながら、 子供みたいな目をして、 あたしを見つめるマッテオを？ （心の声に耳を澄まして） いいえ！マッテオへの想いなんか全くないわ！ （ややためらった後、急に想いを溢れさせて） きっと私がもう一度会いたいのは、あの見知らぬ人！ 一度でいいから、あの人の声を聴いてみたい！ でも、そうしたら、他の男の人と同じような存在にすぎなくなるかも知れないけれど・・・ ズデンカが言ってたわね･･･女は誰かに選ばれるまで待ち続けなきゃならないって。 そして、誰にも選ばれなけりゃ、 もうおしまいだって。 エレメルと結婚する？ （無意識のうちに、ぶるっと震える） なぜか胸騒ぎがするの。まるで誰かのお墓の上をまたいでるみたい。 闇の中を私のほうへと向かって来るのは･･･口をきいたこともない、あの見知らぬ人？ ああ・・・きっと奥さんのいる人なんでしょうね。 会ってはならないし、もう二度と会うこともないわ！ 今日は謝肉祭の火曜日。今夜の舞踏会は私が主役。 女王さまになるんだわ・・・そして・・・ ZDENKA （丈の短いコートを着て、シルクハットを手にして部屋に入って来る） さあ、支度ができたよ。 ARABELLA 一緒に行くのよ！ （ズデンカが扉を開けると、アラベラは外に出る。 ズデンカはシルクハットをかぶり、アラベラの後を追う。橇の鈴の音が響いてくる） （幕が降りる） Adelaide ist links herausgetreten, horchend sie hat Waldner kommen gehört. Waldner kommt im gleichen Augenblick durch die Mitteltür, gut angezogen, Stadtpelz und Cylinder, Stock, Handschuhe. Er sieht elegant, aber ermüdet und übernächtig aus, geht durchs Zimmer, als sehe er die andern nicht und lässt sich in einem Fauteuil vorne rechts nieder. ADELAIDE Lasst uns allein, meine Kinder. Euer Vater hat Sorgen. Arabella geht links rückwärts ab. Zdenka rechts rückwärts WALDNER steht auf, legt ab - hinter einem Paravent - legt den Cylinder auf den Tisch. Er sieht die Couverts mit den Rechnungen, betrachtet sie mechanisch, reisst ein Couvert auf, dann das nächste Nichts als das Zeug da? und von niemand sonst ein Brief? ADELAIDE Du hast gespielt? Du hast verloren, Theodor? Waldner schweigt Du hast an dein Regimentscameraden geschrieben? WALDNER Von keinem eine Antwort! das ist hart. Wirft sich auf den Fauteuil; vor sich hin, halb zu Adelaide Da war ein gewisser Mandryka der war steinreich und ein Phantast dazu. Für ein Mädel hat der einmal die Strassen von Verona bestreuen lassen mit dreitausend Scheffeln Salz weil sie hat Schlitten fahren wollen mitten im August! Ich hab an seine Grossmut appelliert - und hab von der Bella ein Bild hineingelegt - in dem stahlblauen Ballkleid mit Schwanenbesatz Ich hab mir gedacht vielleicht kommt er daher, ein Narr wie er ist, und heirath das Mädel! ADELAIDE O Gott mein schönes Kind mit einem alten Mann! WALDNER heftig Es muss ein solider Bewerber daher und ein End mit der ewigen Hofmacherei die zu nichts führt! Ich weiss sonst keinen Ausweg! Er ist aufgestanden - geht im Zimmer umher ADELAIDE mit plötzlicher Ekstase Fort mit uns! Zur Tante Jadwiga! Sie nimmt uns auf auf ihre Schlösser! Du wirst Verwalter ich führe der Tante das Haus. WALDNER Und die Mädeln? ADELAIDE Zdenka wird groom für ewige Zeiten - wir sind nicht in der Lage zwei Töchter zu erhalten! Und Arabella - ihr ist prophezeit sie macht ihr Glück durch eine grosse Heirath! WALDNER grimmig Inzwischen ist der letzte Fünfziger dahin! ADELAIDE Sei ruhig, Theodor, mir sind im Traum drei Nummern erschienen! Unfehlbare herrliche Zahlen! WALDNER Ah, Geschwätz! Versetz die Smaragdbrosch und gib mir das Geld! Was? du hast sie nicht mehr? versetzt? verpfändet? ADELAIDE Schon vorige Woche. Sie war das Letzte. O dieses Wien! WALDNER Und heut hätt ich Glück! Ich spürs in jedem Finger! Du unglückselige Person! ADELAIDE Aus tiefster Schmach hebt's uns einmal empor zu höchster Höhe durch die Hand der Schönheit! WALDNER Ich hab nicht einen Gulden mehr im Sack! winkt ihr heftig ab ADELAIDE sich zurückziehend, links vorne, zwischen Tür und Angel in Ekstase Hat's denn vielleicht im Allerhöchsten Erzhaus noch keine Liebesheirathen gegeben? Sie geht ab WALDNER wieder zu den Rechnungen zurück, liest die erste »Bin ich nicht in der Lage, länger zu warten!« Nimmt die zweite »Müsste ich die Gerichte in Anspruch nehmen ... « Arme Frau! arme Mädeln! Er läutet am Glockenzug indem er hinter sich greift. Zimmerkellner tritt ein WALDNER Cognac! ZIMMERKELLNER Auf Nummer 8 darf ich nichts mehr servieren! Ausser wünschen sofort zu bezahlen! WALDNER Verschwinden Sie. Ich brauche nichts. Auf und nieder Jetzt setzen sie sich hin und fangen wieder an zu spielen, und alles Andre ist verlorene Zeit! ZIMMERKELLNER eintretend mit einem Tablett Ein Herr! WALDNER Sie sagen ich bin ausgegangen. Das Zeug dorthin! Zimmerkellner legt an die von Waldner angegebene Stelle eine Karte und geht ab WALDNER sieht hin Das ist ja keine Rechnung. Melden sich die Lieferanten jetzt schon mit Visitenkarten an? Er geht hin, nimmt die Karte in die Hand, freudig überrascht Mandryka! Traut seinen Augen nicht Der reiche Kerl! mein bester Freund im Regiment! ZIMMERKELLNER an der Tür Der Herr fragt dringend an. WALDNER Ich lasse bitten! Dem Eintretenden mit offenen Armen entgegen Tschau, Camerad! Mandryka, grosser, sehr kräftiger, eleganter Mann von höchstens fünfunddreissig Jahren, etwas undefinierbar Ländliches in der Erscheinung sehr gut angezogen, ohne jede provinzielle Eleganz. Welko, hinter Mandryka eintretend, bleibt in der Tür stehen WALDNER perplex, tritt zurück MANDRYKA Hab ich die Ehre mit dem Rittmeister Graf Waldner? WALDNER Waldner, so heiss ich. Rittmeister nicht mehr. Mandryka streckt seine rechte Hand nach hinten. Welko, unter Verneigung, gibt ihm einen Brief in die Hand MANDRYKA mit dem Brief auf Waldner zutretend Sind Sie, Herr Graf, der Schreiber dieses Briefes? Waldner nimmt den Brief, der zerknittert ist und voll Blutflecken MANDRYKA sehr leicht und munter und sehr artig Er ist ein bissl blutig worden, und nicht mehr leserlich. Ich bin den Tag, wo er mir zugekommen ist, auf eine alte Bärin gegangen, sie hat mich angenommen und ein bissl gekratzt - dabei ist das passiert. WALDNER indem er ihm den Brief zurückgibt, nachdem er einen Blick darauf geworfen hat Geschrieben hab ich allerdings an einen Herren Ihres Namens - er war mein Freund und Regimentskamerad. MANDRYKA Das war mein Onkel. Er ist todt. Ich bin der einzige Mandryka. Somit verzeihen Sie, dass ich den Brief zu öffnen mir gestattete. - jetzt kommt's auf eines an Welko, das Bild! WELKO indem er eine Photographie überreicht Es ist in Ordnung, Gospodar. Die schöne Fräulein mit dem Gesicht wohnt hier. MANDRYKA die Photographie in der Hand Herr Graf, Sie haben Ihrem werten Brief, der kameradschaftlich an meinen Onkel gerichtet war, Sie haben dieses Damenbildnis beigelegt. WALDNER leicht hinsehend, ganz ohne Wichtigkeit Ah ja! die Photographie meiner Tochter Arabella! MANDRYKA mit merklicher Aufregung, aber ohne die Haltung zu verlieren Die gnädige Tochter ist unvermählt - ? WALDNER nickt Noch unvermählt. MANDRYKA - und derzeit nicht verlobt? WALDNER Derzeit noch nicht. MANDRYKA sehr ernst, beinahe feierlich Dann bitte ich um ein Gespräch von fünf Minuten. Welko rückt schnell zwei Fauteuils einander gegenüber, zieht sich dann zurück. Waldner und Mandryka setzen sich. Eine kleine Pause der Verlegenheit bei Mandryka, der Spannung bei Waldner MANDRYKA Darf ich so unbescheiden sein und eine Frage stellen? WALDNER Du bist der Neffe - und Erbe meines teuren Cameraden. Verfüge über mich! MANDRYKA Ich danke sehr. - Er überlegt einen Moment Als in dem Brief an meinen seligen Onkel das reizende Porträt des Fräulein Tochter hineingeschlossen wurde, darf ich annehmen, dass da eine Absicht im Spiele war? - Ich bitte um Vergebung. WALDNER vorsichtig Mein Gott, ich hab mir halt gedacht ich mach dem Alten damit einen Spass! MANDRYKA sehr aufmerksam, bestrebt, jedes Wort Waldners nach seinem vollen Gewicht zu erfassen Dem Onkel einen Spass? - Wenn aber das die Folge wär gewesen dass mein Herr Onkel, der ein ganzer Mann war und in den besten Jahren, sich hätte in die Schönheit des Porträts verliebt und wär getreten hier vor Ihnen, hochgeborner Herr, so als ein offenherziger Edelmann vor einen andern, und hätt gesagt »Wer das Gesicht gesehen hat und tritt nicht als Bewerber auf verdient nicht, dass ihn Gott auf dieser schönen Erden leben lasst So gib das Mädel mir zur Frau und Herrin! « Was wäre dann gewesen? Gesetzt den Fall, er hätte so gesagt! WALDNER Dann hätten wir uns in einer unerwarteten Situation befunden. MANDRYKA steht auf, sehr aufgeregt, aber beherrscht Der Onkel ist dahin. Heut bin ich der Mandryka, niemand sonst. Mein sind die Wälder, meine sind die Dörfer. Viertausend Untertanen beten dass ich glücklich sei - und ich, mit aufgehobenen Händen bitte ich Herr Vater, geben mir die gnädige Tochter, geben mir sie zur Frau, die jetzt seit vierzehn Wochen jeden Gedanken hier in dieser Brust regiert. Waldner schweigt vor Staunen Ihr Zögern ist kein Todesurteil? Nein? Waldner schüttelt den Kopf Ich darf sie sehn? Waldner nickt Bedenken dieser Brief kommt an, und in der gleichen Stunde nimmt mich die alte Bärin in die Arme und drückt mir vier von meinen Rippen ein. Zwölf Wochen bin ich so im Bett gelegen - vor meinen Augen dieses Bild - und ein Gedanken immer stärker bis er die Seele mir herausgezogen hat! Ganz naiv, ohne alle Prahlerei Kommen meine Verwalter Was ists mit unserm Herrn? Kommen die von den Meierhöfen Was ists mit unserm Herrn? Kommen die von den Fohlenhöfen Freut unsern Herrn kein Pferd mehr? Kommen meine Förster Freut unsern Herrn kein jagen? Ich geb ihnen keine Antwort. Welko! ruf ich, hol mir den Juden, na! wie heisst der Jud in Sissek, der meinen Wald will kaufen? dort den Eichwald! Schnell her mit ihm, und er soll Geld mitbringen denn morgen fahr ich in dem Kaiser seine Hauptstadt da kostet Geld ein jeder Atemzug und Hindernisse darfs nicht geben auf der Brautfahrt! Er zieht ein grosses, aber elegantes Portefeuille hervor; es enthält, lose hineingelegt, einen dicken Pack Tausendguldennoten Das ist der Wald. - Es war ein schöner Wald Einsiedler waren drin, Zigeuner waren drin und alte Hirschen und Kohlenmeiler haben viele drin geraucht - Hat sich alles in die paar Fetzen Papier verwandelt! Aber es stehen Eichenwälder genug noch auf meinem Boden für Kinder und für Enkel - Gott erhalte! - Verzeih'n um Gotteswillen dass ich da von solchen Sachen rede! Ist ganz, ich weiss nicht wie, gescheh'n! Er will das Portefeuille einstecken WALDNER hindert ihn daran durch eine unwillkürliche Bewegung Oho! ich find es ungeheuer interessant! Wenn man bedenkt ein Wald - Einsiedler waren drin Zigeuner waren drin und alte Hirschen und auf eins zwei - ein solches Portefeuille! Ich hab seit vielen Jahren so was nicht gesehn! Er starrt fasziniert auf das Portefeuille MANDRYKA hält ihm's hin, sehr leicht und liebenswürdig Darf ich vielleicht? brauchst du vielleicht? So für den Augenblick? Du tust mir eine Gnad! Teschek, bedien dich! WALDNER nach kurzem Zögern nimmt eine Tausendguldennote Mein Bankier ist nur verreist! Ich geb es dir heut abend spätestens zurück! MANDRYKA hält das Portefeuille nochmals hin, sehr herzlich Nicht mehr? Ich bitte vielmals! Aber doch! Teschek, bedien dich! Waldner nimmt eine zweite Note und steckt sie mit nonchalance zu der ersten in die Westentasche. Mandryka lässt das Portefeuille in seine Brusttasche gleiten. Eine leichte Pause der Verlegenheit MANDRYKA Und wann wird's dir genehm sein mich deiner Gräfin vorzustellen - und dann der gnäd'gen Tochter? WALDNER Sie sind gleich da im Nebenzimmer. Mandryka steht auf, wirklich erschrocken WALDNER steht gleichfalls auf Willst du sie sehn? Ich ruf' - ich stell dich vor. MANDRYKA Jetzt? so? Ich bitte nein! auf keinen Fall! WALDNER So schüchtern war der Onkel, nicht! MANDRYKA sehr ernst Das ist ein Fall von anderer Art. Es handelt sich für mich um etwas Heiliges. WALDNER Ganz wie du willst. MANDRYKA in verändertem Ton Ich werd mich hier im Hause einlogieren und den Befehl abwarten deiner Gräfin wann ich mich präsentieren darf am Nachmittag oder am Abend - oder wann es wird belieben. Verneigt sich, Waldner reicht ihm die Hand und begleitet ihn dann zur Tür WALDNER allein Hab ich geträumt? Dahier ist er gesessen der Neffe vom Mandryka. So was passiert einem doch nicht! Er zieht den einen zerknitterten Tausender hervor, dann den zweiten, glättet beide, steckt sie in seine völlig leere Brieftasche Hab ich geträumt? Nein! ich hab nicht geträumt! Er nimmt den einen Tausender wieder heraus, dreht daraus, ganz gedankenlos, eine kleine Papiertüte und behält sie in der Hand. Mit leichtem Ausdruck, Mandrykas Ton copierend, ziemlich laut Teschek, bedien dich! ZIMMERKELLNER eintretend Ist hier gerufen? Er gewahrt den Tausender in Waldners Hand und verändert sofort den Ton Haben mich befohlen? WALDNER vor sich, leise, zart Teschek, bedien dich! ZIMMERKELLNER Befehlen diesen Tausender zu wechseln? WALDNER Später vielleicht. jetzt nicht. Zimmerkellner geht ab WALDNER vor sich hin, mit Grazie Teschek, bedien dich! Fast schmelzend zärtlich Teschek, bedien dich! Majestätisch Teschek, bedien dich! Er nimmt Mantel, Hut und Stock ZDENKA aus der Tür rechts heraus Hast du gerufen, Papa? WALDNER mit turbulentem Jubel Teschek, bedien dich! ZDENKA Mit wem spricht er? Ist dir etwas geschehn, Papa? WALDNER jetzt erst bemerkend, dass er nicht allein ist Gar nichts. Ich geh jetzt aus. Ich werd erwartet. Brauchst du vielleicht? Er winkt ihr mit dem Tausender, den er in der Hand behalten hat Ich werd mir wechseln lassen. Adieu. Ab durch die Mitteltür ZDENKA allein Papa! Er ist schon fort. So hab ich ihn noch nie gesehn. Die Sorgen haben ihn um den Verstand gebracht! Wir müssen fort aus dieser Stadt - schon morgen und den Matteo seh ich heut vielleicht zum letzten Mal - O Gott im Himmel steh mir armem Mädel bei! Matteo schnell und verstohlen zur Mitteltür herein. Zdenka erschrickt MATTEO Er hat mich nicht gesehn. Ich hab mich seitwärts in die Tür gedrückt. ZDENKA deutet auf die Tür links rückwärts Pst! sie ist da! Horcht Sie ruft mich! MATTEO Kann ich sie nicht sehn? ZDENKA Jetzt nicht! Ich bitte dich! jetzt nicht! MATTEO Hast du den Brief? ZDENKA Den Brief? Ja! Nein! Sie will jetzt nicht. Sie sagt, sie will ihn dir - heut abend - komm auf den Fiakerball - und vorher sei zuhaus - hier im Hotel - vielleicht bring ich ihn dir ins Zimmer - oder du bekommst ihn dort! MATTEO Du lasst mich nicht im Stich? Ich hab dein Wort! Zdenka, ängstlich, deutet auf die Tür links. Matteo schnell ab. Arabella tritt aus der Tür links, in einem andern Kleid, einem Mantel, einem andern Hut. Zdenka steht verwirrt und verlegen da. Man hört die Schlittenglocken ARABELLA Bist du nicht fertig! ja, was hast du denn gemacht die ganze Zeit? So zieh dich endlich an! Die Rappen sind schon voller Ungeduld. ZDENKA Die Rappen - und dein Elemer vielleicht noch mehr! Läuft ins Nebenzimmer rechts ARABELLA Mein Elemer! - Das hat so einen sonderbaren Klang. . Sie setzt sich Er mein - ich sein. Was ist denn das, mir ist ja, wie wenn eine Angst mich überfiele - und eine Sehnsucht ja, nach was denn auf der Welt? Nach dem Matteo? Sie steht auf Weil er immer sagt, er kann nicht leben ohne mich, und mich so anschaut mit Augen wie ein Kind? Sie horcht in sich hinein Nach dem Matteo sehnt sich nichts in mir! Ein Zögern, dann ausbrechend Ich möchte meinen fremden Mann noch einmal sehn! Ich möchte einmal seine Stimme hören! - Dann wäre er wie die Anderen für mich. - Wie sagt die Zdenka dass wir warten müssen bis uns einer wählt, und sonst sind wir verloren. Verheirat't mit dem Elemer? Sie schaudert unwillkürlich Was rührt mich denn so an, als trät ich einem übers Grab? Ist das der fremde Mann mit dem ich nie ein Wort geredet hab zieht der im Dunkel so an mir? Herr Gott, er ist ja sicher ein verheirateter Mann und ich soll und ich werd ihn nicht mehr wiedersehn! Und heut ist Faschingdienstag und am Abend ist mein Ball - Von dem bin ich die Königin - und dann… ZDENKA tritt heraus, in einem kurzen Pelz, einen Zylinder in der Hand So ich bin fertig. ARABELLA Komm! Zdenka öffnet ihr die Tür. Arabella geht hinaus. Zdenka setzt den Zylinder auf und folgt ihr. Die Schlittenglocken tönen herauf Vorhang この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella/II-1